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Jump to: Artefact | Article | Book | Book chapter | Digital scholarly resource | Exhibition | Other | Proceedings paper
Number of items: 63.
Artefact
| Collins, S (2003) Pixelscape. [Artefact]. Commission by Arts Council South East (Brighton) for the reception area of ACE Brighton, completed Nov 2003.. |
Article
| Allington, E (2003) The Ugly Truth. Frieze (76) 82 - 85. |
| Barlow, P (2003) Picture. Frieze (74) 54 - 55. |
| Collins, S (2003) Inhabited Text. Millennium Film Journal (39/40) 88 - 98. |
| Florence, P (2003) ‘Cybiog and Sexed Digitalia. The Self Portrait in Digital Art’. Digital Creativity , 14 (3) 144 - 151. |
| Florence, P (2003) Cybiog and Sexed Digitalia. Digital Creativity , 14 (3) 144 - 151. |
| Florence, P. (2003) Alcyone on the jetty or the lady vanishes. New Nietzsche Studies , 5 (3/4) pp. 164-172. |
| Hilliard, J (2003) The Picture Within. Next Level (4) 52 - 55. |
| Hoek, K (2003) Not because but as if nor or but and. The Projection 5 - ?. |
| Malik, A (2003) Lorna Simpson, Then and Now. Portfolio |
| Malik, A (2003) Veil, Veiling and Representation. Portfolio |
| Morris, S (2003) Almeria: the first track. Painted (6) 14 - ?. |
| Rideal, L (2003) Drapery and Pattern in Portrait painting as a Source for my Work in the Photobooth with particular reference to 'The Curtain Master' William Larkin. Textile The Journal of Cloth and Culture , 1 (3) 274 - 287. |
| Sleeman, AJ (2003) Earthworks: Art and the landscape of the sixties. ART HIST , 26 (5) 773 - 780. |
| Sleeman, AJ (2003) Staring into holes in the ground: Earthworks: Art and the Landscape of the Sixties by Suzan Boettger. Art History , 26 (5) 773 - 779. |
Book
| Beckman, E and Stahl, M (2003) Happy Pappy. |
| Counsell, M (2003) Bag. (Vol.1). Edition Villa Saint Clair |
| Faithful, S (2003) Ideas, Vol.1. Pump House Gallery, London: London, UK. |
| Goodwin, D and Howarth, S and Cubitt, S (2003) Dryden Goodwin - MONOGRAPH. Film and Video Umbrella: London UK. |
| Hamlyn, N (2003) Film art phenomena. British Film Institute |
| Hilliard, J (2003) The Less Said the Better. Verlag das Wunderhorn: Heidelberg. |
| RUGGABER, K (2003) I love history. (Vol.250). supported by University of the Arts London: London. |
Book chapter
| Barlow, P (2003) A Severe Weather Warning. In: Fournel, J and Tissier, N and Reip, H, (eds.) Melanie Counsell: Bag. (62 - 63). Edition Villas Saint Clair: SŠte. |
| Hilliard, J (2003) Inflamed and Consumed. In: Matt, G and Hartel, G, (eds.) Love/Hate. (46 - 49). Triton Verglag: Vienna. |
| Hoek, K (2003) Not because but as if nor or but and. In: van der Geest, N and Zijmans, K, (eds.) Curry. (51 - 61). Hogeschool voor Kunsten Utrecht: Utrecht. |
| Morris, S (2003) Sitting on the Fence and Categorical Heart. In: Rety, J, (ed.) UNSPECIFIED (201 - ?). London: Hearing Eye: London. |
| Sleeman, J (2003) Richard Long. In: Curtis, P and Raine, D and Withey, M and Wood, J and Wasley, V, (eds.) Sculpture in 20th Century Britain: A Guide to Sculptures in the Leeds Collection. (216 - 217). Henry Moore Institute: Leeds. |
| Sleeman, J (2003) Sculpture Squared. In: Curtis, P and Raine, D and Withey, M and Wood, J and Wasley, V, (eds.) Sculpture in 20th Century Britain: Identity, Infrastructures, Aesthetics, Display, Reception. (200 - 211). Henry Moore Institute: Leeds. |
Digital scholarly resource
| Jackson, M (2003) Spreading Like Wildfire. [Digital scholarly resource]. http://diffusion.org.uk/?p=60 |
| Rideal, L (2003) Transition/Connections. The Developing Portrait: Painting towards Photography. [Digital scholarly resource]. http://www.npg.org.uk/learning/digital/portraiture/transition-connections.php |
Exhibition
| Bright, K. (2003) Kate Bright. [Exhibition]. New Art Gallery, Walsall, UK. 24 July - 14 September 2003. |
| Bright, K. (2003) Kate Bright. [Exhibition]. Centro de Arte Salamanca, Spain. 03 February - 30 March 2003. |
| Head, T. (2003) Days like these. [Exhibition]. Tate Britain, London, UK. 26 February - 26 May 2003. |
| Masi, D. (2003) Fine Art Scholars and Fellows Exhibition. [Exhibition]. The British School at Rome, Italy. 16-20 September 2003. |
| Stahl, A. (2003) New Paintings and Drawings: Bangkok Mosaic. [Exhibition]. 100 Tonson Gallery, Bangkok. 11 Dec 2003 - 4 Jan 2004. |
| Stevens, G. (2003) Slow life. [Exhibition]. Matt’s Gallery, London. 05 - 17 March 2003. |
| Woodley, G. (2003) Impingement No. 44. [Exhibition]. The Gallery, Grange House, Guernsey. 28 March - 10 April 2003. |
Other
| Goodwin, D (2003) Above/Below. UNSPECIFIED |
| Goodwin, D (2003) Dilate. UNSPECIFIED |
| Goodwin, D (2003) Reveal (short film). UNSPECIFIED |
| Goodwin, D (2003) Two Thousand and Three. UNSPECIFIED |
| Goodwin, D (2003) Reveal. UNSPECIFIED |
| Goodwin, D (2003) Above/Below. UNSPECIFIED |
| Fairclough, L (2003) Screening of Steppe at Symposium for Screen Studies, Moving Back into the Gallery, University of London. UNSPECIFIED |
| Faithfull, S (2003) 13 Messages. UNSPECIFIED |
| Faithfull, S (2003) Terrestrial Investigation #256. UNSPECIFIED |
| Goodwin, D (2003) Above/Below (drawings). UNSPECIFIED |
| Jones, L (2003) Yellowday. UNSPECIFIED |
| McLean, B (2003) Red Carpet Green Arch. UNSPECIFIED |
| McLean, B (2003) Valencia Biennale. UNSPECIFIED |
| Morris, S (2003) Almerla: Rome/Roma. UNSPECIFIED |
| Morris, S (2003) Other Words. UNSPECIFIED |
| Morris, S (2003) Rome/Roma, Mirror of the Sea. UNSPECIFIED |
| Proud, D (2003) The Bar. UNSPECIFIED |
| Stahl, A (2003) Artist in Residence at Silpakorn University, Bangkok Thailand. UNSPECIFIED |
| Thomson, J (2003) Short Films about Flying. UNSPECIFIED |
| Thomson, J and Craighead, A (2003) Rhizome Digest. UNSPECIFIED |
| Volley, J (2003) The Moment. UNSPECIFIED |
Proceedings paper
| Goodwin, D (2003) Speaker at Bunkier Gallery, Krakow, Poland, part discussion around Reality Check. In: |
| Goodwin, D (2003) Speaker at National Film Theatre, London, UK. Artists Film and Video Season. In: |
| Barlow, P (2003) Sculpture Now - A round table discussion. In: (Proceedings) Sculpture Now. (pp. 227 - 241). Black Dog Publishing Ltd: London. |
| Collins, S (2003) UNSPECIFIED In: (Proceedings) user_mode = emotion + intuition in art + design. Tate: London. |
| Rideal, L (2003) The Curtain Master: Drapery and Pattern in Larkin's Early British Portrait Paintings and its Affinity with my Work in the Photo Booth. In: Textile: the journal of cloth and culture. (pp. 274 - 287). Berg: Oxford and New York. |