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Group by: Author | Type
Number of items: 62.
A
| Aiken, JC (2005) Monolith and Shadow. UNSPECIFIED |
| Allington, E (2005) About Time. Frieze (92) 151 - 153. |
| Allington, E (2005) Algorithm. UNSPECIFIED |
| Allington, E (2005) For Your Pleasure/Or Notes on Public Art From Someone Else's Memory Of A Silver Cloud in Waves. In: Re Views/Artists and Public Space. (21 - 25). Black Dog Publishing: London. |
| Allington, E (2005) In The Beginning. In: Wunderkammer/The Artificial Kingdom. (6 - 12). The Collection, The New City and County Museum, Lincoln: Lincoln. |
| Allington, E (2005) Monument to the Origins of Medicine. UNSPECIFIED, UCLH NHS Trust Hospital, Gower Street, London. |
| Allington, E (2005) She Rode One Of The Wonder Horse Triggers. In: Kienholz. (21 - 23). Baltic centre for Contemporary Art and Museum of Contemporary Art Sydney: Gateshead. |
| Allington, E (2005) The Manners of Making and the Useful Bench. In: Dunhill & O'Brien/Sculptomatic. (56 - 61). James Hockey Gallery: Farnham. |
B
| Barlow, P (2005) Art School. UNSPECIFIED |
| Barlow, P and Wood, J and Godfrey, M (2005) Objects for...and other things. Black Dog Publishing: London. |
| Bright, K. (2005) Kate Bright. [Exhibition]. Locks Gallery, Philadelphia. 01 April 1 – 13 May 2005. |
C
| Callanan, MJ (2005) I am Still Alive. UNSPECIFIED, installation. |
| Callanan, MJ (2005) I Wanted to See the Whole of London. UNSPECIFIED, installation. |
| Collins, S (2005) Electronic Media at the Slade. In: (Proceedings) Conference Call, share, share widely. A conference on new-media art education, at City University of New York. City University of New York: online. |
| Collins, S (2005) Glenlandia. [Artefact]. website and distributable artwork. |
| Collins, S (2005) Tate in Space. In: (Proceedings) Plasticiens du Web: Space Art. |
| Collins, S (2005) The Actual and The Imagined. In: Bezalel Issue No. 1. Bezalal Academy of Arts and Design: Jerusalem, Israel. |
| Collins, S (2005) The Spectrascope. [Artefact]. website/networked artwork. |
| Collins, S and Wigglesworth, S (2005) Classroom of The Future. UNSPECIFIED, Mossbrook Special School, Sheffield. |
F
| Florence, P (2005) UNSPECIFIED In: (Proceedings) AHRC Collaborative Research Training Student Conference in Arts and Humanities. |
| Florence, P (2005) ‘Out of the Subaltern: Making Material Thought’ Review Essay of Marsha Meskimmon ‘Women Making Art. History, subjectivity, aesthetics’ London/NY, Routledge 2003. Art History , 28 (5) 815 - 820. |
| Florence, P (2005) Out of the Subaltern: Making Material Thought. (Review Essay). Art History , 28 (5) 815 - 820. |
| Florence, P (2005) ‘Locating the Finland Station (Suomi-asemaa Etsimassa ). In: Sakari, M and Aarnio, E, (eds.) ’ Fractures of Life. Political Contemporary Art (Arjen Murtumia). (59 - 77). Kiasma Museum of Contemporary Art, Helsinki, Finland, (book-catalogue): Helsinki. |
| Florence, P (2005) Locating the Finland Station (Suomi-asemaa Etsimassa). In: Sakari, M and Aarnio, E, (eds.) Fractures of Life. (Arjen Murtumia) Political Contemporary Art. (59 - 77). Kiasma Museum of Contemporary Art,: Helsinki, Finland. |
G
| Goodwin, D (2005) Plot. UNSPECIFIED |
| Goodwin, D (2005) Repton A.B.C. UNSPECIFIED |
| Goodwin, D (2005) Speaker at Pro-Arte Institute, St Petersburg, Russia, in collaboration with the British Council. In: |
| Godfrey, M. (2005) Photography found and lost: on Tacita Dean's Floh. October , 114 pp. 90-119. 10.1162/016228705774889619. |
H
| Head, T. (2005) Float. [Group exhibition]. Junction of Queen Street and Queen Victoria Street, London. 2005-2006. |
| Head, T. (2005) Nervous system. [Exhibition]. EnBW Energie Baden -Wurttemberg AG, Berlin. 10th September - 31st October 2005. |
| Head, TD (2005) Float, as part of Light Up Queen Street. UNSPECIFIED, Queen Street, London. |
| Hilliard, J (2005) Again and Again and Again. Temporale 60 - 61. |
| Hilliard, J. (2005) John Hilliard. [Exhibition]. Studio Dabbeni, Lugano, Switzerland. 12 May - 15 July 2005. |
K
| Kitamura, K (2005) London: Stephen Friedman Gallery DRYDEN GOODWIN. 72 - 73. |
L
| Lomax, T (2005) "Self portraits". Slade Summmer School, UCL Woburn Studios. |
| Lomax, T (2005) Illusory Pool. UCL-NHST, Beaumont Place London WC1E. |
M
| Malik, A (2005) Abbas Kiarostami's Conceptual Romanticism? Portfolio |
| Malik, A (2005) Alia Syed. UNSPECIFIED |
| Malik, A (2005) ‘Reconsidering the work of Iranian Diaspora Women Artists’ British Museum. UNSPECIFIED |
| Malik, A (2005) Flesh at War with Enigma, Kunsthalle, Basle, September-November 2004. Papers of Surrealism , Spring (3) 1 - 9. |
| Malik, A (2005) Alina Szapocznikow’s Abject Objects. In: Rolphe, C and Newton, K, (eds.) ‘Stilled: Contemporary Still-life Photography by Women’. IRIS and Ffotogallery: Cardiff, UK.. |
| Mclean, B (2005) Untitled sculpture. UNSPECIFIED |
| Mclean, PB (2005) Blizard Building. UNSPECIFIED, Queen Mary College, London. |
| Morris, S (2005) 'Presage' and 'Rattlesnake'. Poetry Wales |
P
| Parker, J (2005) Stationary Music. UNSPECIFIED, Oberhausen International Film Festival,. |
| Proud, D (2005) The Pavement and Bridge Gallery Project. UNSPECIFIED, UCL Hospital atrium and external environment, Euston Road, London. |
R
| Rideal, L (2005) Light Column/Glass Drapes. UNSPECIFIED |
| Rideal, L (2005) Tapis Volant. UNSPECIFIED, Dovecot Studios, Edinburgh, Scotland. |
| Rideal, L (2005) Twelve Twentieth-Century Portraits. [Digital scholarly resource]. http://www.npg.org.uk/learning/digital/portraiture.php |
| Rideal, L (2005) Insights: Self-Portraits. Insights. National Portrait Gallery: London. |
| Rideal, L (2005) Alger, un passage dans la lumière. In: Mouillon, P and Charlet, N and Clément, G and Mefti, B and Seddik, Y, (eds.) Alger, un passage dans la lumière. (28 - 28). : France. |
| Rideal, L (2005) Magic Carpet to Tapis Volant. In: Stoddart, K, (ed.) Revealed. (58 - 59). Nottingham City Museums and Art Galleries: Nottingham. |
| Rothschild, E. (2005) Eva Rothschild. [Exhibition]. Douglas Hyde Gallery, Dublin, Ireland. 23 April - 16 June 2005. |
| RUGGABER, K (2005) Istanbul buildings and materials. (Vol.800). (1st ed.). The artist with Camden Arts Centre, London. With support from Chelsea College of Art & Design, UAL: London, UK. |
S
| Sleeman, A (2005) Land Art - The Movie - Moving Pictures. In: (Proceedings) New Research into Conceptualism in Europe. Norwich Gallery NSAD: Norwich. |
| Sleeman, A (2005) A Twilight Place: Land Art: A Short History. In: Kent, LD and S,, (eds.) King's Wood: A Context. (49 - 59). Stour Valley Arts: Challock, Kent. |
| Stahl, A (2005) Artist in Residence Mahasarakarm University, Thailand. UNSPECIFIED |
| Stahl, A (2005) Catalogue Introduction to Tintin Cooper in 'Battle of the Titans'. |
T
| Thomson, J and Craighead, A and Bode, S and Archer, M and Stallabrass, J (2005) Thomson & Craighead (minigraph). Mingraph. Film & Video Umbrella London: London. |
| Thomson, J and Craighead, A and Levin, G and Chafe, C and Brown, C and Neuhaus, M and Freeman, J and Gilbert, J and Traub, P (2005) Contemporary Music Review. UNSPECIFIED |
| Thomson, JR and Craighead, A (2005) Beacon. UNSPECIFIED |
W
| Woodley, G. (2005) Impingement No.47. [Exhibition]. Chelsea Space, London, UK. 05 March 2005 - 16 April 2005. |