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Group by: Author | Type
Number of items: 49.
B
| Burrows, DM (2012) Networks in Progress: (Global) Objecthood in the work of Kate Smith. In: Kate Smith. (p 6 - p 12). Arts and Social Sciences Academic Press, Northumbria University: Newcastle. |
C
| Callanan, M (2012) Guerres durant la meva vida (Wars During My Lifetime). greyisgood: Palma, Spain. |
| Callanan, M (2012) Slade Graduate Research: Graduate Research Weeks 2011 - 2012. Slade Press: London. |
| Collins, SAR (2012) Excavation. [Artefact]. digital video intended to be viewed online and through mobile devices. http://www.harewood.org/whats-on/news/1/958. |
| Collins, SAR (2012) Moby Dick Big Read. [Digital scholarly resource]. http://www.mobydickbigread.com/ |
| Counsell, MJE (2012) Forth & Back. In: Forth and Back. (23/63 - 23/63). Furnished Editions: London. |
F
| Faithful, S (2012) An Expanding Atlas of Subjectivity. (1st ed.). Laconic: Berlin. |
G
| Goodwin, D (2012) Poised. UNSPECIFIED |
| Goodwin, D (2012) Spine. [Artefact]. Woolwich Squares, London, UK. |
J
| Jackson, M (2012) super-natural. In: super-natural. |
L
| Leonardi, N (2012) The ‘Mirror with a Memory’: Vision, Technology, and Landscape in the United States, 1830-1880. Doctoral thesis, UCL (University College London). |
| Long, TJ (2012) Material thinking in Art: subject, object and the subjectile. Doctoral thesis, UCL (University College London). |
| Loukopoulou, K (2012) The Mobile Framing of Henry Moore's Sculpture in Post-War Britain. Visual Culture in Britain , 13 (1) 63 - 81. 10.1080/14714787.2011.641785. |
M
| Malik, A and Batchen, G and Blocker, J (2012) Fifty Key Writers on Photography. (1st ed.). Routledge: London and New York. |
| Milroy, LK (2012) London Review of Books. [Design]. London Review of Books |
| Morris, SM (2012) To the Source. Shearsman (93 & 94) 47 - 48. |
| Morris, SM (2012) Chorus. 44 - 44. |
| Morris, SM (2012) 'What do We Want? and 'For the Oak'. Poetry Wales , 48 (3) 50 - 51. |
| MORRIS, SM and SEAR, H and CHANDLER, D (2012) Opening the Book. In: Inside the View. (12 - 120). Ffotograllery Wales, Cardiff: Cardiff. |
P
| Parker, J (2012) 'Arc'. UNSPECIFIED |
| Parker, J (2012) 'Crystal Aquarium', 4W - Outcasting: Fourth Wall 2012. UNSPECIFIED |
| Parker, J (2012) Musical Equivalent. UNSPECIFIED |
| Parker, J (2012) Musical Equivalent. UNSPECIFIED |
| Parker, J (2012) The Pool. UNSPECIFIED |
| Parker, J (2012) The Whirlpool. UNSPECIFIED |
| Parker, J (2012) The Whirlpool, Stationary Music. UNSPECIFIED |
R
| Reed, KP and Hunt, A and Sheddan, S and Fitzpatrick, K (2012) Liminal, 2012. Abigail Hunt, Kieren Reed, Katy Fitzpatrick and Susan Sheddan in conversation. In: (Proceedings) Inside/outside: materialising the social. Tate: The Tanks, Tate Modern. |
| Reed, KP and hunt, A and Sheddan, S and Fitzpatrick, K (2012) Liminal, 2012. Abigail Hunt, Kieren Reed, Katy Fitzpatrick and Susan Sheddan in conversation. Presented at: Inside/outside: materialising the social, Tate Modern. |
| Rideal, L (2012) Dark and light veiled thoughts. Dark Matter |
| Rideal, L (2012) Indian Journal. [Digital scholarly resource]. http://www.openartsarchive.org/oaa/ (In press). |
| Rideal, L (2012) Palazzo Spada, Palazzo Barberini. In: Languages of Colour. (? - ?). The Frogmore Press: Lewes, East Sussex, BN7 1PJ. |
| Rideal, L (2012) Photomaton: A Contemporary Survey of Photobooth Art. UNSPECIFIED |
| Rideal, L (2012) Portrait Photography - From the Victorians to the Present Day. Wide Angle and Zoom in. [Digital scholarly resource]. http://www.npg.org.uk/learning/digital/teachers-notes/teachers-resources-art.php |
| Rideal, L (2012) Portraits: Art History. [Digital scholarly resource]. http://www.npg.org.uk/learning/digital/portraiture.php |
| Rideal, L (2012) Verdure. In: Cumming, E and Weir, D, (eds.) The Art of Modern Tapestry. (75 - 75). Lund Humphries |
| Rideal, L and Carotentuto, S and Gambardella, E and Parenti, B and Pinto, M and Rossi, F and Tosti, E and Vechhio, C (2012) 'Tempi d'Es-tensione' Collettivo di scrittura "L'altra altra". In: 'Tempi d'Es-tensione' Collettivo di scrittura "L'altra altra". (? - ?). : Naples. |
| Rideal, L and Crenzien, H and Nairne, E and Skarderud, F and Pierini, M (2012) Golden Years? 1905-1950: a non-digital world. Self-expression,self-promotion,self-preservation. In: Self-portrait. (21 - 25). Louisiana Museum of Modern Art: Denmark. |
| Rideal, L and Dickens, P (2012) Pattern, rhythm, vibration and colour. In: Dickens, P and Adkins, M, (eds.) Shibusa - extracting beauty. (38 - 44). University of Huddersfield |
| Ruggaber, K (2012) Sculptors discuss Sculpture. Frieze (147) |
| Ruggaber, K (2012) Valeria Napoleone's Catalogue of Exquisite Recipes. Koenig Books, London. |
S
| Sleeman, J (2012) Jonathan Anderson: coal dust mandala. [Pamphlet]. : Carmarthen UK. |
| Sleeman, J (2012) The New Art Hayward gallery London 1972: new as compromise or when what happens around the exhibition is as interesting as what happens in the exhibition. Sculpture Journal , 21 (2) (In press). |
| Sleeman, J (2012) The zone after London. Transmission Annual , 3 43 - 51. |
| Sleeman, J and Alfrey, N and Daniels, S (2012) To the ends of the earth: art and environment. Tate Papers (17) |
| Slyce, J (2012) Contemporary Art in the United Kingdom. ARTWORLD. Black Dog Publishing: London, UK. |
| Stevens, G (2012) Attitudes to Flesh. [Lecture]. Presented at: UNSPECIFIED. |
| Stevens, G (2012) Illustrated talk on my performance work. [Lecture]. Presented at: UNSPECIFIED. |
| Stevens, G (2012) Master Class performance workshop and Tea Party. Presented at: UNSPECIFIED. |