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Number of items: 22.
B
| Bindman, D (1997) Blake's Vision of Slavery Revisited. Huntington Library Quarterly , 58 (3 & 4) 373 - 383. |
| Bindman, D (1997) Hogarth and his Times: Serious Comedy. British Museum Press: London. |
| Bindman, D (1997) Rake's Progress: Hogarth to Hockney. [Catalogue]. Soane Museum: London. |
| Bindman, D (1997) Roubiliac's Statue of Handel and the Keeping of Order in Vauxhall Gardens in the Early Eighteenth Century. The Sculpture Journal , 1 22 - 31. |
| Bindman, D (1997) Introduction. In: Bindman, D and Wilcox, S, (eds.) Among the Whores and Thieves: William Hogarth and The Beggar's Opera. (5 - 12). Yale Center for British Art: New Haven. |
| Bindman, D (1997) The nature of satire in the `modern moral subjects`. In: Ogee, F, (ed.) The Dumb Show: Image and Society in the works of William Hogarth. (129 - 141). Voltaire Foundation: Oxford. |
F
| Fend, M (1997) Nebulöse Identitäten: Girodets 'Schlaf des Endymion'. In: Härle, G and Popp, W and Runte, A, (eds.) Ikonen des Begehrens: Bildsprachen der männlichen und weiblichen Homosexualität in Literatur und Kunst. (101 - 119). Metzler: Stuttgart. |
| Fer, B (1997) On Abstract Art. Yale University Press: London. |
G
| Garb, T (1997) Masculinity, Muscularity and Modernity in Caillebotte's male figures. In: Smith, T, (ed.) Invisible Touch; modernism and masculinity. (53 - 74). Power Publications: Sydney. |
H
| Hemingway, A (1997) Artist on the Left and their Critics. Intellectual History Newsletter , 19 6 - 14. |
| Hemingway, A (1997) Constituents of Romantic Genius: John Sell Cotman's Greta Drawings. In: Rosenthal, M and Payne, C and Willcox, S, (eds.) Prospects for the Nation: Recent Essays in British Landscape, 1750 - 1880. (183 - 204). Yale University Press: London. |
S
| San Juan, RM (1997) Entrances and Departures: The Procession Prints of Queen Christina of Sweden. In: Roden, ML and Magnusson, B, (eds.) Politics and Culture in the Age of Queen Christina. (36 - 59). Swedish Academy in Rome: Rome. |
| San Juan, RM and Discipline and Place Collective, (1997) Moving Spaces, Firm Groundings: An Interview with Rey Chow”, 15 (1997): 509-532. Environment and Planning D: Society and Space , 15 509 - 532. |
| Schwartz, F (1997) Der 'Schleier der Maja': Karl Ernst Osthaus, das Deutsche Museum fr Kunst in Handel und Gewerbe und der Werkbunsdtreit. In: Das Sch”ne und der Alltag: Deutsches Museum fr Kunst in Handel und Gewerbe, 1909 - 1919. (409 - 427). Schoeck-Ducaju & Zoon: Gent. |
W
| Weston, H (1997) Constance Mayer. Dictionary of Women Artists , 2 928 - 938. |
| Weston, H (1997) Paris and Chantilly. Prud'hon. Burlington Magazine , CXXXXI (Decemb) 891 - 894. |
| Weston, H (1997) The Language of the Body: Drawings by Pierre-Paul Prud'hon. Burlington Magazine , CXXXIX (April) 267 - 267. |
| Weston, H (1997) Une Oeuvre … deux voix, le cas Constance Mayer. Connaissance des Arts, num‚ro special - Pierre-Paul Prud'hon , H.S. n 32 - 41. |
| Wilson, C (1997) Rulers, Artificers and Shoppers: Richard II's Remodelling of Westminster Hall, 1393 - 99. In: Gordon, D and Monnas, L and Elam, C, (eds.) The Royal Image of Richard II and the Wilton Diptych. (33 - 59). Harvey Miller: London. |
| Wright, A (1997) Antonio del Pollaiuolo's `Elevation of the Magdalen` in Staggia and an early patron. Burlington Magazine , CXXXX (July) 444 - 451. |
| Wright, A (1997) L'Officina della Maniera. Renaissance Studies , XI (2) 154 - 159. |
| Wright, A (1997) Dimensional Tension in the work of Antonio del Pollaiuolo. In: Currie, S and Motture, P, (eds.) The Sculpted Object, 1400 - 1700. (65 - 79). : Aldershot. |


