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Jump to: B | D | F | G | H | P | S | W | Y
Number of items: 31.

B

Bindman, D (1998) C.J.Grant's Political Drama: A Radical Satirist Rediscovered. [Catalogue].

Bindman, D (1998) The Nature of Satire in the Modern Moral Subjects. In: The Dumb Show:Image and Society in the works of William Hogarth. (129 - 140). Voltaire Foundation

Bindman, D (1998) The Skeleton in the Cupboard: Jeremy Bentham's Auto-Icon. In: Fuller, C, (ed.) The Old Radical: Representations of Jeremy Bentham. (9 - 15). UCL: London.

Boucher, B (1998) Andrea Palladio: The Architect in his Time. Abbeyville Press: New York.

Boucher, B (1998) Italian Baroque Sculpture. Thames & Hudson: London.

D

Davies, D (1998) "The Anatomy of Spanish Habsburg Portraits", pp. 69-79 in 1648. War and Peace in Europe. [Catalogue]. : Munster and Osnabruck.

Davies, D (1998) The Anatomy of Spanish Portraits, pp.1-85, for The Ramon Perez de Ayala Lecture, University of Portsmouth. [Pamphlet]. : University of Portsmouth.

Davies, D (1998) El Desnudo en El Greco. In: Argullol, R, (ed.) El Desnudo en el Museo del Prado. (133 - 162). : Prado, Madrid.

F

Fer, B (1998) "Light-pieces" MONA HATOUM. [Catalogue]. : Basle.

Fer, B (1998) "The Pleasure of Cloth" in Liz Rideal: New Work. [Catalogue]. : Angel Row Gallery, Nottingham.

Ford, C (1998) Art and Commerce in the Dutch Golden Age by Michael North, p. 703.

Ford, C (1998) Dutch Art: An Encyclopaedia. Garland Reference Library of the Humanities by Sheila D. Muller.

G

Garb, T (1998) "The Unquiet Image: The Paintings of Vivienne Koorland". [Catalogue]. : Irma Stern Musem, University of Cape Town.

Garb, T (1998) Bodies of Modernity, Figure and Flesh in Fin de Siecle France. Thames & Hudson: London.

Garb, T (1998) Bonnard Exhibition.

Garb, T (1998) The Forbidden Gaze: Women artists and the male nude in late nineteenth-century France. In: Mirzoeff, N, (ed.) The Visual Cultural Reader. (415 - 422). Routledge: London.

Gretton, T (1998) "Les représentations visuelles de la révolution de 1848 en Angleterre", pp. 122-131 in Les révolutions de 1848; l'Europe des images, volume 2. [Catalogue]. : Assemblée Nationale, Paris.

Gretton, T (1998) "Art is cheaper in France and goes deeper": the language of the Parliamentary Select Committee on Art and Design 1835-36. In: Hemingway, A and Vaughan, W, (eds.) Art in Bourgeois Society 1790-1850. (84 - 100). Cambridge University Press: Cambridge.

H

Hemingway, A (1998) review of Louis Lozowick, 'Survivor from a Dead Age: The Memoirs of Louis Lozowick' (Washington, DC & London: Smithsonian Institution Press, 1997). Print Quarterly , 15 (1) 103 - 106.

Hemingway, A (1998) Marxism and Art History after the fall of Communism. In: Vaughan, W and Hemingway, A, (eds.) Art in Bourgeois Society 1790-1850. (1 - 20). Cambridge University Press: Cambridge.

P

Pantano, N.A. (1998) Sculpture in the city and the cemetery: the formation of political identities in Paris and Père Lachaise 1789-1853. Doctoral thesis, University of London.
An open access version is available from UCL Discovery
 filefile

S

Schwartz, F (1998) Aesthetics. In: Buse, DK and Doerr, JC, (eds.) Modern Germany: An Encyclopedia of History, People, and Culture, 1871-1990. (12 - 13). Garland Press: New York and London.

Schwartz, FJ (1998) Form follows fetish: Adolf Behne and the problem of Sachlichkeit. OXFORD ART J , 21 (2) 45 - 77.

W

Weston, H (1998) Working for a bourgeois republic: Prud'hon, patronage and the distribution of wealth under the Directoire and Consulate. In: Hemingway, A and Vaughan, W, (eds.) Art in Bourgeois Society 1790-1850. (154 - 177). Cambridge University Press: Cambridge.

Wilson, C (1998) Rulers, Artificers and Shoppers: Richard II's Remodelling of Westminster Hall, 1393-1399. In: Gordon, D and Monnas, L and Elam, C, (eds.) The Regal Image of Richard II and the Wilton Diptych. (33 - 59). Harvey Miller: London.

Wilson, C (1998) Rulers, Artificers and Shoppers: Richard II's Remodelling of Westminster Hall, 1393-1399 (Endnotes). In: Gordon, D and Monnas, L and Elam, C, (eds.) The Regal Image of Ricard II and the Wilton Diptych. (274 - 288). Harvey Miller: London.

Wright, A (1998) The Sculpture of Andrea del Verrocchio by A. Butterfield.

Wright, A (1998) Mantegna and Pollaiuolo: Artistic Personality and the Marketing of Invention. In: Currie, S, (ed.) Drawing, 1400-1600: Invention and Innovation. (72 - 90). Ashgate: Aldershot.

Wright, A (1998) Dancing Nudes at the Lanfredini Villa at Arcetri. In: Wright, A and Marchand, E, (eds.) With and Without the Medici: Art and Patronage in Tuscany, 1434-1494. (47 - 77). Ashgate: Aldershot.

Wright, A (1998) The Patron in the Picture. In: Wright, A and Marchand, E, (eds.) With and Without the Medici: Art and Patronage in Tuscany, 1434-1494. (1 - 18). Ashgate: Aldershot.

Y

Yang, J. (1998) Giovanni Bellini: experience and experiment in Venetian painting, c. 1460-1516. Doctoral thesis, University of London.
An open access version is available from UCL Discovery
 file

This list was generated on Sat May 18 13:37:08 2013 BST.