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Group by: Author | Type
Jump to: B | F | G | H | L | M | S | T | W
Number of items: 36.

B

Bindman, D; (2000) Thomas Banks's 'Caractacus before Claudius': new letters to and from Ozias Humphry. Burlington Magazine , CXLII (1173) 769 - 773.

Bindman, D; (2000) William Blake, The Divine Comedy. Bibliotheque del'Image, Paris.

Bindman, D; (2000) The English Apocalypse. In: Carey, F, (ed.) The Apocalypse and the Shape of Things to Come. (208 - 269). British Museum Press: London.

Boucher, B; (2000) Hawksmoor's London Churches by du Prey, P.

Boucher, B; (2000) Leon Battista Alberti by Grafton, A.

Boucher, B; (2000) Nature and the Antique in the Work of Andrea Palladio. Journal of the Society of Architectural Historians , LIX (3) 296 - 311.

Boucher, B; (2000) The Oxford History of Western Art. ed Kemp. M.

F

Fer, B; (2000) On Abstract Art. Yale University Press: London.

Fer, B; (2000) Some Translucent Substance, Or the Trouble with Time. In: Gill, C, (ed.) Time and the Image. (69 - 78). Manchester University Press: Manchester.

Ford, C; (2000) Blue Guide City Guide, Amsterdam. A & C Black: London.

G

Garb, T; (2000) Framing Femininity in Manet's Portrait of Mlle E.G. In: D'Souza, A, (ed.) Self and History. A Tribute to Linda Nochlin. (77 - 90). Thames and Hudson: London.

Gretton, T; (2000) Difference and competition: the imitation and reproduction of fine art in a nineteenth-century illustrated weekly news magazine (Le Monde Illustre). OXFORD ART J , 23 (2) 143 - 162.

Gretton, T; (2000) The place of the King in the city: urban morphology in ancien-regime France. Art History , 23 (3) 456 - 458.

Gretton, T; (2000) The place royale and urban design in the ancien regime. ART HIST , 23 (3) 456 - 458.

Gretton, T; (2000) The Place Vendome: Architecture and social mobility in 18th-century Paris. ART HIST , 23 (3) 456 - 458.

Gretton, T; (2000) Marat, L'ami du peuple, David: love and discipline in the summer of '93. In: Vaughan, W and Weston, H, (eds.) Jacques-Louis David's The Death of Marat. (34 - 55). Cambridge University Press: Cambridge.

H

Hemingway, A; (2000) "Norwich School": Myth and Reality. In: Brown, DB and Lyles, A, (eds.) Romantic Landscape: The Norwich School of Painters. (9 - 23). Tate Gallery Publishing: London.

Hemingway, A; Jaskot, P; (2000) review of T.J. Clark, 'Farewell to an Idea: Episodes from a History of Modernism'. Kunst und Politik: Jahrbuch der Guernica-Gesellschaft , 2 229 - 237.

L

Lange-Berndt, P; (2000) Unheimliche(s) Gestalten. Damien Hirsts ‚Naturgeschichte‘ und das historische Verfahren der Naßpräparation. In: Haus, A and Hofmann, F and Söll, A, (eds.) Material im Prozess. Strategien ästhetischer Produktion. (167 - 180). Reimer Verlag: Berlin.

M

Mills, R; (2000) Review of Mitchell B. Merback, The Thief, the Cross and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe (1999). Art History: journal of the Association of Art Historians , 23 (1) 140 - 142.

Mills, R; (2000) Funeral Customs and Burial Rites. In: Lindahl, C and McNamara, J and Lindow, J, (eds.) Medieval Folklore: An Encyclopedia of Myths, Legends, Tales, Beliefs and Customs. (390 - 398). ABC-Clio: Santa Barbara, USA.

Mills, R; (2000) Memento Mori. In: Lindahl, C and McNamara, J and Lindow, J, (eds.) Medieval Folklore: An Encyclopedia of Myths, Legends, Tales, Beliefs and Customs. (650 - 654). ABC-Clio: Santa Barbara, USA.

S

San Juan, RM; (2000) Framing the early modern field of vision. Oxford Art Journal , 23 (No) 171 - 177.

San Juan, RM; Discipline and Place Collective,; (2000) The Limits of Liberalism: a Conversation with Lisa Lowe, Renata Salecl and Terry Threadgold. Anglistica , 4 (No. 1 Transitional Space and Universities in Transition) 91 - 120.

Schwartz, F; (2000) 'Nachwort/Afterword'. Die Kunst in Industrie und Handel. Jahrbuch des Deutschen Werkbundes 1913 1 - 32.

Schwartz, F; (2000) Book-Space: Walter Benjamin, the 'Kunstwerk-Aufsatz' and the Avant-Garde. Kritische Berichte , 3 21 - 43.

Schwartz, F; (2000) Ornament and Spirit,Ornament and Class: A Short History of a Troubled Trope. Harvard Design Magazine , 11 76 - 84.

Schwartz, F; (2000) Form Follows Fetish: Adolf Behne and the Problem of Sachlichkeit. In: Bushart, M, (ed.) Adolf Behne: Essays zu seiner Kunst-und Architektur-Kritik. (229 - 271). Gebr. Mann: Berlin.

Schwartz, F; (2000) Translation of Hans Sedlmayr 'Bruegel's Macchia'. In: Wood, CA, (ed.) The Vienna School Reader: Politics and Art Historical Method in the 1930s. (323 - 376). Zone Books: New York.

Sheldon, E; (2000) Methods and Materials of David's 'Marat'. In: Vaughan, W and Weston, H, (eds.) Jacques-Louis David's The Death of Marat. (102 - 127). Cambridge University Press: Cambridge.

T

Taws, R; (2000) Review of 'Carnivalesque', Hayward Gallery National Touring Exhibition. Object (3) 126 - 129.

W

Weston, H; (2000) 'Mayer (Marie-Francoise) Constance [la Martiniere]'. In From David to Ingres. Early 19th-century French Artists. Ed Turner, J. The Grove Art Series; Macmillan Reference Limited, London.

Weston, H; (2000) 'The Cook, the thief, his wife and her lover': LaVille-Leroulx's Portait de Negresse and the signs of misrecognition. In: Mainz, V and Pollock, G, (eds.) Work and Image, Vol. 1, Work, Craft and Labour. Visual Representations in Changing Histories. (53 - 74). Ashgate Publishing Company

Wilson, C; (2000) Note sur la decouverte des colonnettes du jube de Sainte-Waudru a Mons. In: Didier, R, (ed.) Jacques Dubroeucq, sculpteur et maitre-artiste de l'Empereur (1500/10-1584). (161 - 165). Ars Libris: Brussels.

Wright, A; (2000) Fra Filippo Lippi, Carmelite Painter, by Holmes, M. Burlington Magazine

Wright, A; (2000) The Memory of Faces: Representational Choices in fifteenth-century Florentine Portraiture. In: Ciappelli, G and Rubin, P, (eds.) Art, Memory and Family in Renaissance Florence (Acts of the 1996 conference). (86 - 113). Cambridge University Press: Cambridge.

This list was generated on Sun Oct 26 17:53:29 2014 GMT.