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Jump to: B | D | F | G | H | K | L | M | S | W
Number of items: 30.

B

Bindman, D (2001) William Blake: Chambers of the Imagination. Burlington Magazine 172 - 174.

Bindman, D (2001) Exh. cat. Chairing the Member: Hogarth's Election Paintings and their influence. In: Bindman, D and Ekserdjian, D and Palin, W, (eds.) Hogarth's Election Entertainment: Artists at the Hustings. (3 - 7). Sir John Soane's Museum: London.

Bindman, D (2001) A Voluptuous Alliance between Africa and Europe: Hogarth's Africans. In: Fort, B and Rosenthal, A, (eds.) The Other Hogarth: Aesthetics of Difference. (260 - 269). Princeton University Press

Boucher, B (2001) Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova. Museum of Fine Arts, Houston and Yale University Press, New Hav: London.

D

Davies, D (2001) Fray Alonso de Orazco: a source of spiritual inspiration for El Greco? In: Actas del congres sobre el retablo del Colegio de dona Maria de Aragon del Greco. (89 - 99). Prado Museum: Madrid.

Demos, T (2001) "Body and Home: Maria Elena Alvarez," in Contemporary Photography: Maria Elena Alvarez (New York: Latincollector Gallery), 3-10. [Catalogue]. Latincollector Gallery: New York.

Demos, T (2001) “Duchamp's Labyrinth: 'First Papers of Surrealism,' 1942”. October , 97 91 - 119.

F

Fend, M (2001) Inkarnat oder Haut? Die Körpergrenze als Schauplatz der Malerei. In: Friedel, H and Eschenbach, B, (eds.) Pygmalions Werkstatt. Exhibition Catalogue Lenbachhaus München. (71 - 79). Wienand Verlag: Köln.

Fer, B (2001) The Somnambulist's Story: Installation and the Tableau. The Oxford Art Journal , 24 (2) 75 - 92.

G

Garb, T (2001) Framing Femininity in Manet's Portrait of Mlle E.G. In: D'Souza, A, (ed.) Self and History, A Tribute to Linda Nochlin. (77 - 90). Thames and Hudson: London.

Garb, T (2001) To Kill the Nineteenth Century: Sex and Spectatorship with Gertrude and Pablo. In: Green, C, (ed.) Picasso's Les Demoiselles d'Avignon. (55 - 76). Cambridge University Press

Gretton, T (2001) The Cityscape and the 'People' in the prints of Jose Guadalupe Posada (Aguascalientes 1852- Mexico 1913). In: Kerr, J and Borden, I, (eds.) The Unknown City: Contesting Architecture and Social Space. (212 - 227). M.I.T.: Cambridge, Mass..

Gretton, T (2001) Difference et competition. L'imitation et la reproduction des oeuvres d'art dans un journal illustre du XIXe siecle. In: Roque, G, (ed.) Majeur et mineur? Les Hierarchies en art. (113 - 146). Editions Jacqueline Chambon: Nimes.

H

Hemingway, A (2001) What Does a Materialist Art History Do? Andrew Hemingway's Response. Handwerker Gallery Newsletter , 3 (2)

Hemingway, A and Jaskot, P (2001) review of T.J. Clark, 'Farewell to an Idea: Episodes from a History of Modernism', and O.K. Werckmeister,' Icons of the Left: Benjamin and Eisenstein, Picasso and Kafka after the Fall of Communism'. Historical Materialism: Research in Critical Marxist Theory , 7 257 - 280.

K

King, FD and Oxford, AW (2001) Preface. In: UNSPECIFIED (v - vi).

Koerner, J (2001) Exh. cat Michal Safdie:Photographs. Michal Safdie Photographs

Koerner, J (2001) Saving the Soul. Word and Image , 17 177 - 180.

L

Lange-Berndt, P and Ruebel, D (2001) Im Herz der Finsternis. Ein Interview mit Annette Messager. Art Mediation

M

Mills, R (2001) 'Whatever you do is a delight to me!': Masculinity, Masochism and Queer Play in Representations of Male Martyrdom. Exemplaria: a journal of theory in medieval and Renaissance studies , 13 (1) 1 - 37.

S

San Juan, RM (2001) Rome: A city out of print. University of Minnesota Press: Minneapolis.

W

Weston, H (2001) 'Prud'hon, Pierre-Paul [Prudon, Pierre]' in From David To Ingres. Early 19th-century French Artists. ed Turner, J. The Grove Art Series. Macmillan Reference Limited, London.

Weston, H (2001) The Death of Marat. In: Martin, B, (ed.) The Folio Society Book of the 100 Greatest Paintings. (126 - 127).

Woodcock, S (2001) Studio Equipment (Painting). In: Brigstocke, H, (ed.) The Oxford Companion to Western Art. (725 - 726). Oxford University Press: Oxford.

Wright, A (2001) Review of: Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women. Burlington Magazine , CXL111 (1185) 786 - 787.

This list was generated on Wed May 22 13:42:33 2013 BST.