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Group by: Author | Type
Jump to: B | D | F | H | J | K | L | M | S | T | W
Number of items: 37.

B

Bindman, D; (2002) Ape to Apollo: Aesthetics and the Idea of race in the Eighteenth Century. Reaktion

D

Demos, T; (2002) "Duchamp's La Boite-en-valise: Between Institutional Acculturation and Geopolitical Displacement". Grey Room , 8 6 - 38.

Demos, T; (2002) “Davina Grunstein and the Archaeology of the Spectacle”. Link , 8 65 - 73.

Demos, T; (2002) “Rethinking Site Specificity,” Review of Miwon Kwon\'s One Place After Another: Notes on Site Specificity. Art Journal 98 - 100.

F

Fend, M; (2002) Mann, Frau u.s.w. Visuelle Inszenierungen von Körper und Geschlecht. In: Hornbostel, W and Jockel, N, (eds.) Nackt. Exhibition Catalogue Museum für Kunst und Gewerbe Hamburg. (57 - 67). Prestel: München.

Fer, B; (2002) Bordering on Blank: Eva Hesse and Minimalism (1994). In: Mignon, N, (ed.) Eva Hesse. (57 - 85). MIT: Cambridge and London.

Fer, BA; (2002) The Work of Salvage:Eva Hesse's Latex Works. In: Sussman, E, (ed.) Eva Hesse. (79 - 95). San Francisco Museum of Modern Art and Yale University Press

Ford, C; (2002) People as Property. Oxford Art Journal , 25 (1) 3 - 16. 10.1093/oaj/25.1.1.

Ford, C; (2002) People as property. OXFORD ART J , 25 (1) 1 - 16.

Ford, C.; (2002) People as property. Oxford Art Journal , 25 (1) pp. 1-16. 10.1093/oxartj/25.1.1.

H

Hemingway, A; (2002) 'American Communists View Mexican Muralism: Critical and Artistic Responses'. Cronícas: El muralismo, producto de la revolución mexicana, en América , 8-9 13 - 43.

Hemingway, A; (2002) Individualism and/or Solidarity? Anarchist Modernism in the United States. Review of Allan Antiff, Anarchist Modernism: Art, Politics and the First American Avant-Garde. Oxford Art Journal , 25 (2) 165 - 170.

Hemingway, AF; (2002) Artists on the Left: American Artists and the Communist Movement, 1926-56. Yale University Press: New Haven.

J

James, SE; (2002) Incorporating Art. New Left Review (18) 154 - 160.

K

Koerner, J; (2002) Albrecht Durer: A Sixteenth-Century Influenza. In: Bartrum, G, (ed.) Albrecht Durer and His Legacy:The Graphic Work of a Renaissance Artist. (18 - 38). British Museum: London.

Koerner, J; (2002) The icon as Iconoclash. In: Latour, B, (ed.) Iconoclash:Beyond the Image. Wars in Science,Religion and Art. (164 - 213). MIT Press

L

Lange-Berndt, P; (2002) Erkundungen zwischen den Lebensformen. Annette Messagers Chimären. Kunst + Unterricht (260) 46 - 48.

Lange-Berndt, P; (2002) The Evil Dead. In: Mueller, J, (ed.) Movies of the 80s. (194 - 197). Taschen: Cologne et al.

Lange-Berndt, P; (2002) John Isaacs. In: Ullrich, J, (ed.) Exhibition-catalogue Wächserne Identitäten. Figürliche Wachsplastik am Ende des 20. Jahrhunderts. (70 - 71). Georg Kolbe Museum: Berlin.

Lange-Berndt, P; (2002) Entries Chemikalien (with Ruebel, D.), Federn, Gummi, Haare (with Ruebel, D., Koehring, A.), Pflanzen, Präparate, Zelluloid. In: Wagner, M and Rübel, D and Hackenschmidt, S, (eds.) Lexikon des Materials. Werkstoffe der modernen Kunst von Abfall bis Zinn. Beck Verlag: Muenchen.

M

Mills, R; (2002) A Man is Being Beaten. New Medieval Literatures , 5 115 - 153.

Mills, R; (2002) For They Know Not What They Do: Violence in Medieval Passion Iconography. Fifteenth Century Studies , 27 200 - 216.

Mills, R; (2002) Regarding Pain. Review of Nigel Spivey, Enduring Creation: Art, Pain and Fortitude (2001). Art History: journal of the Association of Art Historians , 25 (5) 686 - 690.

Mills, R; (2002) Ecce Homo. In: Riches, S and Salih, S, (eds.) Gender and Holiness: Men, Women and Saints in Late Medieval Europe. (152 - 173). Routledge: London.

S

San Juan, RM; (2002) The Court Lady's Dilemma: Isabella d'Este and Art Collecting in the Renaissance. In: Findlen, P, (ed.) The Renaissance: Blackwell's Essential Readings in History. (317 - 340). Balckwell: Oxford.

San Juan, RM; Pratt, G; (2002) Virtual cities: Film and the urban mapping of virtual space. SCREEN , 43 (3) 250 - 270.

Schwartz, F; (2002) Review of Mies in Berlin at Museum of Modern Art. Journal of the Society of Architectural Historians , 6 (2) 217 - 219.

Schwartz, F; (2002) The Paper Avant-Garde: Graphic Design and the Margins of Radical Practice. Oxford Art Journal , 25 (2) 170 - 174.

Schwartz, F.J.; (2002) Hermann Muthesius and the early Deutscher Werkbund. In: Ikeda, Y., (ed.) クッションから都市計画まで ヘルマン・ムテジウスとドイツ工作連盟 : ドイツ近代デザインの諸相 / Vom Sofakissen zum Städtebau : Hermann Muthesius und der Deutsche Werkbund: Modern Design in Deutschland 1900-1927. (pp. 4-73). National Museum of Modern Art: Kyoto, Japan.

Schwartz, FJ; (2002) Graphic design in Germany, 1890-1945. OXFORD ART J , 25 (2) 170 - 174.

Schwartz, FJ; (2002) Karel Teige, 1900-1951: Enfant terrible of the Czech modernist avant-garde. OXFORD ART J , 25 (2) 170 - 174.

Schwartz, FJ; (2002) Mies in Berlin. J SOC ARCHIT HIST , 61 (2) 217 - 219.

Schwartz, FJ; (2002) Hermann Muthesius and the early Deutscher Werkbund. In: Ikeda, Y, (ed.) Vom Sofakissen zum Stadtebau - Hermann Muthesius und der deutsche Werkbund: Modern Design in Deutschland, 1900-1927. (12 - 27). National Museum of Modern Art: Kyoto.

T

Taws, R; (2002) Review of Warren Roberts, 'J.-L. David and J.-L. Prieur, Revolutionary Artists: The Public, The Populace and Images of the French Revolution' (New York: SUNY Press, 2000) and Alain Chevalier, Claudette Hould et. al., 'La Révolution par la gravure' (Vizille: Musée de la Révolution française, 2002). Object (5) 96 - 102.

Taws, R; (2002) The 1790 Paris Federation and the Visual (Re)constitution of an Idea. Object , 4 73 - 92.

W

Weston, H; (2002) UNSPECIFIED In: Pierr-Paul Prud'hon,Actes du colloque. (pp. 19 - 45). Musee du Louvre: Paris.

Wilson, C; (2002) The Royal Lodgings of Edward III at Windsor Castle:Form, Function, Representation. In: Keen, L and Scarff, E, (eds.) Windsor: Medieval Archaeology, Art and Architecture in the Thames Valley. (15 - 94). Maney Publishing: Leeds.

This list was generated on Sun Sep 28 17:12:08 2014 BST.