UCL logo

UCL Discovery

UCL home » Library Services » Electronic resources » UCL Discovery

Browse by UCL Departments and Centres

Up a level
Export as [feed] RSS 2.0 [feed] RSS 1.0 [feed] Atom
Group by: Author | Type
Jump to: B | D | E | F | G | H | K | L | M | O | S | W
Number of items: 44.

B

Black, JAA; (2003) 'Neither beasts nor gods but men': constructions of masculinity and the image of the ordinary British solider or 'Tommy' in the First World War art of C.R.W. Nevinson (1889-1946); Eric Henri Kennington (1888-1960) and Charles Sargeant Jagger (1885-1934). Doctoral thesis, University of London. Green open access
file

D

Demos, T; (2003) "Polly Apfelbaum, ICA, Philadelphia". Artforum 176 - 176.

Demos, T; (2003) “The Cruel Dialectic: On the Work of Nils Norman”. Grey Room , 13 32 - 54.

Demos, TJ; (2003) Circulations: In and around Zurich Dada. OCTOBER (105) 147 - 158.

Demos, TJ; (2003) Desire in diaspora: Emily Jacir. ART J , 62 (4) 68 - 78.

E

Eaton, NJ; (2003) Excess in the city? The consumption of imported prints in colonial Calcutta, c.1780-c.1795. Journal of Material Culture , 8 (1) 45 - 74. 10.1177/1359183503008001762.

F

Fend, M; (2003) Grenzen der Männlichkeit: Der Androgyn in der französischen Kunst und Kunsttheorie zwischen Aufklärung und Restauration. Reimer: Berlin.

Fend, M; (2003) Review of exhibition 'Verborgen im Buch - Verborgen im Körper. Haut zwischen 1500 and 1800', Herzog August Bibliothek Wolfenbüttel. ArtHist

Fend, M; (2003) Touche nerveuse: Fragonard trifft Diderot. Konkursbuch (41) 204 - 214.

Fend, M; (2003) Zeichen in der Oberfläche: Valie Exports 'Body Sign Action'. Psychoanalyse im Widerspruch , 15 (29) 51 - 59.

Fend, M.; (2003) Grenzen der Männlichkeit: Der Androgyn in der französischen Kunst und Kunsttheorie 1750-1830. Dietrich Reimer Verlag: Berlin, Germany.

Ford, C; (2003) Works do not make an Oeuvre; Rembrandt's Self-Portraits as a Category. In: Chong, A and Zell, M, (eds.) Rethinking Rembrandt. (121 - 129). Waanders Publishers: Zwolle.

Ford, C; (2003) Prose, Poetry and Biography. In: Frangenberg, T, (ed.) Poetry on Art, Renaissance to Romanticism. (135 - 146). Shaun Tyas: Donington.

G

Gretton, T; (2003) Adventures in Black and White. Darcy Grimaldo Grigsby; Extremities: Painting Empire in Post-Revolutionary France, and Stephen Bann; Parallel Lines. Printmakers, Painters and Photographers in nineteenth-century France. Oxford Art Journal , 26 (2) 176 - 178.

Gretton, T; (2003) Extremities: Painting empire in post-revolutionary France. OXFORD ART J , 26 (2) 176 - 178.

Gretton, T; (2003) Parallel lines. Printmakers, painters, and photographers in 19th-century France. OXFORD ART J , 26 (2) 176 - 178.

Gretton, T; (2003) Loaded canons. In: Addison, N and Burgess, L, (eds.) Issues in Art & Design Teaching. (178 - 187). RoutledgeFalmer: London and New York.

H

Harper, SP; (2003) Strategy in context: the work and practice of New York's downtown artists in the late 1970s and early 1980s. Doctoral thesis, University of London. Green open access
file

K

Koerner, J; (2003) Introduction: Aby Warburg, Le rituel serpent: recit d'un voyage en pays pueblo. In: La litterature artisque. (9 - 54). Macula: Paris.

L

Lange-Berndt, P; (2003) Totengräber, Anatome, Präparatoren. Künstlerrollen der zeitgenössichen Kunst. In: Herzog, M and Fischer, N, (eds.) Totenfürsorge – Berufsgruppen zwischen Tabu und Faszination. (195 - 222). Kohlhammer: Stuttgart.

Lange-Berndt, P; (2003) Andy Warhol’s Frankenstein, Dawn of the Dead, The Texas Chain Saw Massacre. In: Mueller, J, (ed.) Movies of the 70s. Taschen: Cologne et al.

Lange-Berndt, P; Ruebel, D; (2003) Reale und mediale Übergänge: Chantal Akermans ‚From the Other Side‘. In: Balkenhol, B and Georgsdorf, H and Maset, P, (eds.) XXD11. Über Kunst und Künstler der Gegenwart. Ein NachLesebuch zur Documenta11. (44 - 47). Kassel University Press: Kassel.

Levy, A; (2003) "Good Grief: Widow Portraiture and Masculine Anxiety in Early Modern England". In: Amtower, L and Kehler, D, (eds.) The single woman in medieval and early modern England: her life and representation. (147 - 164). Arizona Center for Medieval and Renaissance Studies: Tempe.

Levy, A; (2003) "Framing Widows: Mourning, Gender and Portraiture in Early Modern Florence". In: Levy, A, (ed.) Widowhood and Visual Culture in Early Modern Europe. (211 - 231). Ashgate: Aldershot and Burlington, VT.

Levy, A; (2003) "Last Rites: Mourning Identities (?)". In: Levy, A, (ed.) Widowhood and Visual Culture in Early Modern Europe. (251 - 255). Ashgate: Aldershot and Burlington, VT.

Levy, A; (2003) "Widow's Peek: Looking at Ritual and Representation". In: Levy, A, (ed.) Widowhood and Visual Culture in Early Modern Europe. (1 - 15). Ashgate: Aldershot and Burlington, VT.

Levy, A; (2003) "Imposing Pictures: Widow Portraiture as Memorial Strategy in Early Modern Florence". In: Schattkowsky, M, (ed.) Witwenschaft in der frühen Neuzeit : fürstliche und adlige Witwen zwischen Fremd- und Selbstbestimmung. (321 - 341). Leipziger Universitätsverlag: Leipzig.

Levy, A; (2003) "Augustine's Concessions and Other Failures: Mourning and Masculinity in Fifteenth-Century Tuscany". In: Vaught, J and Bruckner, L, (eds.) Grief and Gender: 700-1700. (81 - 94). Palgrave Macmillan: New York.

M

Mills, R; (2003) Can the Virgin Martyr Speak? In: Bernau, A and Salih, S and Evans, R, (eds.) Medieval Virginities. (187 - 213). University Of Wales Press: Cardiff.

Mills, R; (2003) Jesus as Monster. In: Bildhauer, B and Mills, R, (eds.) The Monstrous Middle Ages. (28 - 54). University Of Wales Press: Cardiff.

Mills, R; (2003) God's Time? Purgatory and Temporality in Late Medieval Art. In: Jaritz, G and Moreno-Riaño, G, (eds.) Time and Eternity: The Medieval Discourse. (477 - 498). Brepols: Turnhout.

Mills, R; Bildhauer, B; (2003) Introduction: Conceptualizing the Monstrous. In: Bildhauer, B and Mills, R, (eds.) The Monstrous Middle Ages. (1 - 27). University Of Wales Press: Cardiff.

O

Owens, S; (2003) Aubrey Beardsley, Salome and satire. Doctoral thesis, University of London. Green open access
file

S

Stracey, FE; (2003) Surviving History: a Situationist archive. Art History , 26 (1) 56 - 77. 10.1111/1467-8365.d01-2.

W

Weston, H; (2003) Portrait du citoyen Belley, ex representant des colonies. In: Desman, A, (ed.) Les Portraits du Pouvoir, Actes du colloque organise par Oliver Bonfait et Brigitte Marin. (127 - 134). Somogy, Editions d'Art: Rome.

Weston, H; (2003) 'The Oath of the Ancestors' by Lethiere le mulatre': celebrating the black/mulatto alliance in Haiti's struggle for independence'. In: Quilley, G and Kritz, D, (eds.) An Economy of Colour. Visual Culture and the Atlantic World, 1660-1830. (176 - 195). : Manchester.

Wilson, C; (2003) '"Excellent, New and Uniforme". Perpendicular Architecture 1400 - 1547' (p.98-119) AND 'Royal Patronage of the Visual Arts' (p.142-145) AND 'The Arts of the Great Church' (p.348-352). In: Marks, R and Williamson, P, (eds.) Gothic. Art for England 1400 - 1547. (98 - 352). V&A Publications: London.

Wilson, C; (2003) The Functional Design of Henry VII's Chapel: A Reconstruction. In: Tatton-Brown, T and Mortimer, R, (eds.) Westminster Abbey: The Lady Chapel of Henry VII. (141 - 188). Woodbridge

Wilson, C.; (2003) "Excellent, New and Uniforme". Perpendicular Architecture 1400 - 1547. In: Marks, R. and Williamson, P., (eds.) Gothic: art for England 1400-1547. (pp. 98-119). V&A: London, UK.

Wilson, C.; (2003) Royal patronage of the visual arts. In: Marks, R. and Williamson, P., (eds.) Gothic: art for England 1400-1547. (pp. 142-145). V&A: London, UK.

Wilson, C.; (2003) The arts of the great church. In: Marks, R. and Williamson, P., (eds.) Gothic: art for England 1400-1547. (pp. 348-352). V&A: London, UK.

Wright, AJ; (2003) Between the Patron and the Market: Production Strategies in the Pollaiuolo Workshop. In: Fantoni, M and Mathew, L and Mathews-Grieco, S, (eds.) The Art Market in Italy 15th - 17th Centuries. Il Mercato dell'arte in Italia. (225 - 236). Franco Cosimo Pannini: Modena.

This list was generated on Sun Oct 19 21:17:50 2014 BST.