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Jump to: B | D | E | F | G | H | K | L | M | O | S | W
Number of items: 44.

B

Black, JAA (2003) 'Neither beasts nor gods but men': constructions of masculinity and the image of the ordinary British solider or 'Tommy' in the First World War art of C.R.W. Nevinson (1889-1946); Eric Henri Kennington (1888-1960) and Charles Sargeant Jagger (1885-1934). Doctoral thesis, University of London.
An open access version is available from UCL Discovery
 file

D

Demos, T (2003) "Polly Apfelbaum, ICA, Philadelphia". Artforum 176 - 176.

Demos, T (2003) “The Cruel Dialectic: On the Work of Nils Norman”. Grey Room , 13 32 - 54.

Demos, TJ (2003) Circulations: In and around Zurich Dada. OCTOBER (105) 147 - 158.

Demos, TJ (2003) Desire in diaspora: Emily Jacir. ART J , 62 (4) 68 - 78.

E

Eaton, NJ (2003) Excess in the city? The consumption of imported prints in colonial Calcutta, c.1780-c.1795. Journal of Material Culture , 8 (1) 45 - 74. 10.1177/1359183503008001762.

F

Fend, M (2003) Grenzen der Männlichkeit: Der Androgyn in der französischen Kunst und Kunsttheorie zwischen Aufklärung und Restauration. Reimer: Berlin.

Fend, M (2003) Review of exhibition 'Verborgen im Buch - Verborgen im Körper. Haut zwischen 1500 and 1800', Herzog August Bibliothek Wolfenbüttel. ArtHist

Fend, M (2003) Touche nerveuse: Fragonard trifft Diderot. Konkursbuch (41) 204 - 214.

Fend, M (2003) Zeichen in der Oberfläche: Valie Exports 'Body Sign Action'. Psychoanalyse im Widerspruch , 15 (29) 51 - 59.

Fend, M. (2003) Grenzen der Männlichkeit: Der Androgyn in der französischen Kunst und Kunsttheorie 1750-1830. Dietrich Reimer Verlag: Berlin, Germany.

Ford, C (2003) Works do not make an Oeuvre; Rembrandt's Self-Portraits as a Category. In: Chong, A and Zell, M, (eds.) Rethinking Rembrandt. (121 - 129). Waanders Publishers: Zwolle.

Ford, C (2003) Prose, Poetry and Biography. In: Frangenberg, T, (ed.) Poetry on Art, Renaissance to Romanticism. (135 - 146). Shaun Tyas: Donington.

G

Gretton, T (2003) Adventures in Black and White. Darcy Grimaldo Grigsby; Extremities: Painting Empire in Post-Revolutionary France, and Stephen Bann; Parallel Lines. Printmakers, Painters and Photographers in nineteenth-century France. Oxford Art Journal , 26 (2) 176 - 178.

Gretton, T (2003) Extremities: Painting empire in post-revolutionary France. OXFORD ART J , 26 (2) 176 - 178.

Gretton, T (2003) Parallel lines. Printmakers, painters, and photographers in 19th-century France. OXFORD ART J , 26 (2) 176 - 178.

Gretton, T (2003) Loaded canons. In: Addison, N and Burgess, L, (eds.) Issues in Art & Design Teaching. (178 - 187). RoutledgeFalmer: London and New York.

H

Harper, SP (2003) Strategy in context: the work and practice of New York's downtown artists in the late 1970s and early 1980s. Doctoral thesis, University of London.
An open access version is available from UCL Discovery
 file

K

Koerner, J (2003) Introduction: Aby Warburg, Le rituel serpent: recit d'un voyage en pays pueblo. In: La litterature artisque. (9 - 54). Macula: Paris.

L

Lange-Berndt, P (2003) Totengräber, Anatome, Präparatoren. Künstlerrollen der zeitgenössichen Kunst. In: Herzog, M and Fischer, N, (eds.) Totenfürsorge – Berufsgruppen zwischen Tabu und Faszination. (195 - 222). Kohlhammer: Stuttgart.

Lange-Berndt, P (2003) Andy Warhol’s Frankenstein, Dawn of the Dead, The Texas Chain Saw Massacre. In: Mueller, J, (ed.) Movies of the 70s. Taschen: Cologne et al.

Lange-Berndt, P and Ruebel, D (2003) Reale und mediale Übergänge: Chantal Akermans ‚From the Other Side‘. In: Balkenhol, B and Georgsdorf, H and Maset, P, (eds.) XXD11. Über Kunst und Künstler der Gegenwart. Ein NachLesebuch zur Documenta11. (44 - 47). Kassel University Press: Kassel.

Levy, A (2003) "Good Grief: Widow Portraiture and Masculine Anxiety in Early Modern England". In: Amtower, L and Kehler, D, (eds.) The single woman in medieval and early modern England: her life and representation. (147 - 164). Arizona Center for Medieval and Renaissance Studies: Tempe.

Levy, A (2003) "Framing Widows: Mourning, Gender and Portraiture in Early Modern Florence". In: Levy, A, (ed.) Widowhood and Visual Culture in Early Modern Europe. (211 - 231). Ashgate: Aldershot and Burlington, VT.

Levy, A (2003) "Last Rites: Mourning Identities (?)". In: Levy, A, (ed.) Widowhood and Visual Culture in Early Modern Europe. (251 - 255). Ashgate: Aldershot and Burlington, VT.

Levy, A (2003) "Widow's Peek: Looking at Ritual and Representation". In: Levy, A, (ed.) Widowhood and Visual Culture in Early Modern Europe. (1 - 15). Ashgate: Aldershot and Burlington, VT.

Levy, A (2003) "Imposing Pictures: Widow Portraiture as Memorial Strategy in Early Modern Florence". In: Schattkowsky, M, (ed.) Witwenschaft in der frühen Neuzeit : fürstliche und adlige Witwen zwischen Fremd- und Selbstbestimmung. (321 - 341). Leipziger Universitätsverlag: Leipzig.

Levy, A (2003) "Augustine's Concessions and Other Failures: Mourning and Masculinity in Fifteenth-Century Tuscany". In: Vaught, J and Bruckner, L, (eds.) Grief and Gender: 700-1700. (81 - 94). Palgrave Macmillan: New York.

M

Mills, R (2003) Can the Virgin Martyr Speak? In: Bernau, A and Salih, S and Evans, R, (eds.) Medieval Virginities. (187 - 213). University Of Wales Press: Cardiff.

Mills, R (2003) Jesus as Monster. In: Bildhauer, B and Mills, R, (eds.) The Monstrous Middle Ages. (28 - 54). University Of Wales Press: Cardiff.

Mills, R (2003) God's Time? Purgatory and Temporality in Late Medieval Art. In: Jaritz, G and Moreno-Riaño, G, (eds.) Time and Eternity: The Medieval Discourse. (477 - 498). Brepols: Turnhout.

Mills, R and Bildhauer, B (2003) Introduction: Conceptualizing the Monstrous. In: Bildhauer, B and Mills, R, (eds.) The Monstrous Middle Ages. (1 - 27). University Of Wales Press: Cardiff.

O

Owens, S (2003) Aubrey Beardsley, Salome and satire. Doctoral thesis, University of London.
An open access version is available from UCL Discovery
 file

S

Stracey, FE (2003) Surviving History: a Situationist archive. Art History , 26 (1) 56 - 77. 10.1111/1467-8365.d01-2.

W

Weston, H (2003) Portrait du citoyen Belley, ex representant des colonies. In: Desman, A, (ed.) Les Portraits du Pouvoir, Actes du colloque organise par Oliver Bonfait et Brigitte Marin. (127 - 134). Somogy, Editions d'Art: Rome.

Weston, H (2003) 'The Oath of the Ancestors' by Lethiere le mulatre': celebrating the black/mulatto alliance in Haiti's struggle for independence'. In: Quilley, G and Kritz, D, (eds.) An Economy of Colour. Visual Culture and the Atlantic World, 1660-1830. (176 - 195). : Manchester.

Wilson, C (2003) '"Excellent, New and Uniforme". Perpendicular Architecture 1400 - 1547' (p.98-119) AND 'Royal Patronage of the Visual Arts' (p.142-145) AND 'The Arts of the Great Church' (p.348-352). In: Marks, R and Williamson, P, (eds.) Gothic. Art for England 1400 - 1547. (98 - 352). V&A Publications: London.

Wilson, C (2003) The Functional Design of Henry VII's Chapel: A Reconstruction. In: Tatton-Brown, T and Mortimer, R, (eds.) Westminster Abbey: The Lady Chapel of Henry VII. (141 - 188). Woodbridge

Wilson, C. (2003) "Excellent, New and Uniforme". Perpendicular Architecture 1400 - 1547. In: Marks, R. and Williamson, P., (eds.) Gothic: art for England 1400-1547. (pp. 98-119). V&A: London, UK.

Wilson, C. (2003) Royal patronage of the visual arts. In: Marks, R. and Williamson, P., (eds.) Gothic: art for England 1400-1547. (pp. 142-145). V&A: London, UK.

Wilson, C. (2003) The arts of the great church. In: Marks, R. and Williamson, P., (eds.) Gothic: art for England 1400-1547. (pp. 348-352). V&A: London, UK.

Wright, AJ (2003) Between the Patron and the Market: Production Strategies in the Pollaiuolo Workshop. In: Fantoni, M and Mathew, L and Mathews-Grieco, S, (eds.) The Art Market in Italy 15th - 17th Centuries. Il Mercato dell'arte in Italia. (225 - 236). Franco Cosimo Pannini: Modena.

This list was generated on Thu May 23 16:38:40 2013 BST.