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Number of items: 54.

D

Demos, T; (2006) "Ahlam Shibli, Max Wigram Gallery, London". Artforum

Demos, T; (2006) "Ceal Floyer, Lisson Gallery, London". Artforum

Demos, T; (2006) "Franz Ackermann, White Cube, London". Artforum

Demos, T; (2006) "Life Full of Holes. Grey Room 72 - 88.

Demos, T; (2006) "Mircea Cantor: The Title is the Last Thing," Mircea Cantor, Exh. Cat., Philadelphia Museum of Art, 1-10. Series edited by Basualdo, C. [Catalogue].

Demos, T; (2006) "Openings: The Otolith Group". Artforum 360 - 362.

Demos, T; (2006) "Out of Beirut". Artforum 234 - 238.

Demos, T; (2006) "The Ends of Photography". In: Vitamin Ph: New Perspectives in Photography. (6 - 10). Phaidon: London.

Demos, T; (2006) "Walid Raad, Foundation for Art and Creative Technology, Liverpool". Artforum

Demos, T; (2006) "The Language of Expatriation". In: Jones, D, (ed.) Dada Culture. (91 - 117). Rodopi Verlag: Amsterdam.

E

Eaton, N; (2006) Nostalgia for the exotic: Creating an imperial art in London, 1750-1793. Eighteenth-Century Studies , 39 (2) 227 - 250.

Eaton, N; (2006) Between mimesis and alterity: art, gift and diplomacy in colonial India. In: Franklin, M, (ed.) romantic representations of british india. (84 - 112). Routledge: London.

Eaton, N; (2006) Art history, globalizations and sly multiculturalism in the academy. In: Tatlock, J, (ed.) Teaching art and design history: 21st-century Art History: Global reception. (16 - 20). Art History Association: Brighton.

Eaton, NJ; (2006) 'Between mimesis and alterity: Art, gift and diplomacy in colonial India, 1770-1800'. In: Franklin, M, (ed.) Romantic Representations of British India. (84 - 112). Routledge: London.

F

Fend, M; (2006) Androgyne. In: Andrieu, B, (ed.) Dictionnaire du corps en sciences humaines et sociales. (20 - 21). CNRS ed.: Paris.

Fend, M; (2006) Geblähte Körper: Die Haut oder das Unverhältnis von Innen und Außen in den Porträts von J.-A.-D. Ingres. In: Herding, K and Gehrig, G, (eds.) Orte des Unheimlichen. (234 - 253). Vandenhoeck & Ruprecht: Göttingen.

Fer, B; (2006) Networks: Graphic strategies from Matta to Matta-Clark. In: Betti-Sue, H, (ed.) Transmissions: the art of Matta and Gordon Matta-Clark. (35 - 45). San Diego Museum of Art

Fer, B; (2006) Sculpture as Sample. In: Catherine, DZ, (ed.) Eva Hesse; Drawing. (273 - 304). Yale University Press and the Drawing Center New York

Fer, BA; (2006) Nocturama: Flavin's Light Diagrams. In: Jeffrey, W, (ed.) Dan Flavin: New Light. (25 - 48). Yale University Press and National Gallery of Art Washington

Fer, BA; (2006) Crazy about Saturn:interview with Gabriel Orozco. In: Ponte, AG, (ed.) Gabriel Orozco. Turner: Mexico City.

G

Garb, T; (2006) 'Hairlines'. In: Armstrong, CADZC and eds,, (eds.) 'Women Artists at the Millenium'. (255 - 274). MIT Press: Cambridge Massachusettes.

Garb, T.; (2006) Hairlines. In: Armstrong, C. and de Zegher, C., (eds.) Women artists at the millennium. (pp. 255-274). The MIT press: Cambridge, US.

Gretton, T; (2006) Not the flâneur again: reading magazines and living the metropolis around 1880. In: D'Souza, A and McDonough, T, (eds.) The invisible flâneuse? Gender, public space, and visual culture in nineteenth-century Paris. (94 - 112). Manchester University Press: Manchester UK and New York USA.

H

Hemingway, A; (2006) Between Zhdanovism and 57th Street: Artists and the CPUSA, 1945-56. In: Anreus, A and Linden, DL and Weinberg, J, (eds.) The Social and the Real: Political Art of the 1930s in the Western Hemisphere. (261 - 282). Pennsylvania University Press: University Park, Pennsylvania.

Hemingway, AF; (2006) Marxism and the History of Art: From William Morris to the New Left. Marxism and Culture. (1st ed.). Pluto Press: London.

L

Lange-Berndt, P; (2006) Expanded Television. Die Mobilisierung des Bildschirms bei Pipilotti Rist, Nam June Paik und Toni Oursler. Navigationen, Zeitschrift für Medien- und Kulturwissenschaften , 6 (2) 104 - 125.

Lange-Berndt, P; (2006) Blut/Farben. Splatterfilme als überdreht-malerische Filmpraxis. In: Bergermann, U and Hanke, C and Sick, A, (eds.) Überdreht. Spin Doctoring, Politik, Medien. (249 - 260). thealit Verlag: Bremen.

Lange-Berndt, P; (2006) Geschminkte Tiere, oder Signalfarben im Medienzeitalter. Zu den Combines von Robert Rauschenberg. In: Janecke, C, (ed.) Gesichter auftragen. Argumente zum Schminken. (117 - 144). Jonas Verlag: Marburg.

Lange-Berndt, P; (2006) Chimärenvisionen. Von synthetischen und schwärmenden Tieren. In: Kampmann, S, (ed.) Exhibition-catalogue Tiger Wäsche. Das Tier und Wir. (54 - 58). University of Art, Braunschweig: Braunschweig.

Lange-Berndt, P; (2006) Frankenstein, The Vampire, King Kong, La Habanera, The Wizard of Oz. In: Mueller, J, (ed.) Movies of the 30s. Taschen: Cologne et al.

Lange-Berndt, P; (2006) Schreibfeder – Federnalphabet – Daunentextur. Kunstvolle Techniken der Geschlechterformierung. In: Nieberle, S and Strowick, E, (eds.) Narrating Gender: Texte, Medien, Episteme. (377 - 408). Böhlau: Köln, Weimar, Wien.

Lange-Berndt, P.; (2006) Schreibfeder – Federnalphabet – Daunentextur. Materialien der Geschlechterformierung im Werk Annette Messagers. In: Strowick, E. and Nieberle, S., (eds.) Narration und Geschlecht: Texte - Medien - Episteme. (pp. 377-408). Böhlau Verlag/ Köln Weimar: Weimar, Germany.

Levy, A; (2006) "Cosimo's Black Widow". In: Campbell, EJ, (ed.) Growing Old in Early Modern Europe: Cultural Representations. (169 - 184). Ashgate Publishing: Aldershot and Burlington, VT.

Levy, AM; (2006) Re-membering Masculinity in Early Modern Florence: Widowed Bodies, Mourning and Portraiture. Women and Gender in the Early Modern World. Ashgate Publishing: Aldershot and Burlington, VT.

Loh, M.; (2006) Made in Hong Kong. The Art Book , 13 (2) pp. 3-5. 10.1111/j.1467-8357.2006.00655.x.

Loh, MH; (2006) 'Made in Hong Kong: Review. Hong Kong: Front Door/Back Door (Wolf, Baker, Young) and Wong Kar-wai (Teo)'. The Art Book , 13 (2) 2 - 5.

Loh, MH; (2006) 'Originals, Reproductions, and a "Particular Taste" for Pastiche in the Seventeenth-Century Republic of Painting'. In: De Marchi, N and Van Miegroet, H, (eds.) Mapping Markets for Paintings in Early Modern Europe. (243 - 266). Brepols Publishers: Turnhout.

M

Mills, R; (2006) Queer is Here? Lesbian, Gay, Bisexual and Transgender Histories and Public Culture. History Workshop Journal , 62 80 - 88.

Mills, R; (2006) Violence, Community and the Materialisation of Belief. In: Salih, S, (ed.) A Companion to Middle English Hagiography. (87 - 103). D. S. Brewer: Cambridge.

R

Richardson, E; (2006) Non-­‐invasive Characterisation and Condition Monitoring of Textile Artefacts. Presented at: Terahertz Spectroscopy, University of Novosibirsk, Novosibirsk, Siberia.

Richardson, E; Martin, G; Wyeth, P; (2006) Collecting a Near Infrared Spectral Database of Modern Textiles for use of On‐site Characterisation. Presented at: Textiles and Text, Textile Conservation Centre, Winchester, UK.

Richardson, E; Martin, G; Wyeth, P; (2006) Towards On-site Characterisation – Collecting a NIR Spectral Database of Modern Textiles. Presented at: Textiles and Text, Textile Conservation Centre, Winchester, UK.

S

Schwartz, FJ; (2006) Walter Benjamin’s Essay on Eduard Fuchs: An Art-Historical Perspective. In: Hemingway, A, (ed.) Marxism and the History of Art: From William Morris to the New Left. (106 - 122). Pluto Press: London.

Schwartz, FJ; (2006) Utopia for Sale: The Bauhaus and Weimar Germany's Consumer Culture. In: James-Chakraborty, K, (ed.) Bauhaus Culture: From Weimar to the Cold War. (115 - 138). University of Minnesota Press: Minneapolis.

Sheldon, ES; Costaras, N; (2006) Johannes Vermeer's 'Young woman seated at a virginal'. Burlington Magazine , CXLVIII (1235) 89 - 97.

Sheldon, L.; Costaras, N.; (2006) Johannes Vermeer’s ‘young woman seated at a virginal’. Burlington Magazine , 148 (1235) pp. 89-97.

Stracey, F; (2006) 'Now here', review of David Pinder, 'Visions of the City: Utopianism, Power and Politics in Twentieth-century Urbanism',(Edinburgh University Press, 2005). Radical Philosophy , 136 (March/April 2006) 59 - 61.

Stracey, F; (2006) 'Destruktion-RSG-6: Towards a Situationist Avant-Garde Today. In: Hopkins, D, (ed.) Neo-Avant-Garde. (311 - 329). Rodopi: New York/Amsterdam.

Stracey, F.; (2006) The caves of Gallizio and Hirschhorn: excavations of the present. October , 116 pp. 87-100. 10.1162/octo.2006.116.1.87.

Stracey, FE; (2006) The Caves of Gallizio and Hirschhorn: Excavations of the Present. October , 116 (Spring) 82 - 100. 10.1162/octo.2006.116.1.87.

T

Taws, R; (2006) 'Sex sells' review of 'Purchasing Power: Representing Prostitution in Eighteenth-Century English Popular Print Culture' by Sophie Carter, Aldershot, Ashgate, 2004. Oxford Art Journal , 29 (1) 142 - 144.

Taws, R; (2006) 'Antonio Canova' and 'Le Moniteur'. In: Fremont-Barnes, G, (ed.) Encyclopedia of the French Revolutionary and Napoleonic wars. (207-208, 649 - ?). ABC:CLIO: Santa-Barbara.

W

Wilson, C; (2006) "The late Gothic/Retro-Gothic: The Third Building Phase of Melrose Abbey. In: Gasser, S and Freigang, C and Boerner, B, (eds.) Architektur und Monumentalskulptur des 12.-14. Jahrhunderts. Produktion und Rezeption. (393 - 409). Peter Lang: Bern.

Woodcock, S; (2006) “Very efficient as a painter” the painting practice of William Powell Frith. In: Bills, M and Knight, V, (eds.) William Powell Frith: Painting the Victorian Age. Yale University Press: New Haven and London.

This list was generated on Sun Sep 14 16:07:08 2014 BST.