Browse by UCL Departments and Centres
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Group by: Author | Type
Number of items: 35.
D
| Demos, TJ (2009) Moving Images of Globalization. GREY ROOM (37) 6 - 29. |
| Demos, TJ (2009) The Politics of Sustainability: Art and Ecology. In: Manacorda, F and Yedgar, A, (eds.) Radical Nature: Art and Architecture for a Changing Planet, 1969–2009. Barbican Art Gallery: London. |
F
| Fend, M (2009) Emblems of Durability: Preserves, Tattoos and Photographs. Performance Research , 14 (4: Transplantations) 45 - 52. |
| Fend, M (2009) Review of Melanie Ulz: 'Auf dem Schlachtfeld des Empire'. Sehepunkte |
| Fer, BA (2009) Spirograph: the Circular Ruins of Drawing (2004) and Crazy about Saturn (2006). In: Bois, YA, (ed.) Gabriel Orozco. MIT Press: Cambridge Mass, and London england. |
| Fer, BA (2009) Constellations in dust: Notes on the Notebooks. In: Temkin, A, (ed.) Gabriel Orozco. Museum of Modern Art New York: New York. |
G
| Gretton, T (2009) "Elegant and dignified military operations in the present age": the imperfect invisibility of collateral damage in late-nineteenth-century metropolitan illustrated magazines. In: Rockel, SJ and Halpern, R, (eds.) Inventing collateral damage: civilian casualties, war and empire. (205 - 232). Between the Lines: Toronto, Canada. |
H
| Hemingway, A (2009) E.H. Gombrich in 1968: Methodological Individualism and the Contradictions of Conservatism. Human Affairs: A Postdisciplinary Journal for Humanities & Social Sciences , 19 (3) 297 - 303. |
| Hemingway, A (2009) 'American Art pre-1940 and the Problem of Art History's Object'. In: Groseclose, B and Wierich, J, (eds.) Internationalizing the History of American Art: Views. (61 - 79). Pennsylvania State University Press: University Park, Pennsylvania. |
J
| James, SE (2009) ‘Taryn Simon: An American Index of the Hidden and Unfamiliar'. In: Deutsche Börse Photography Prize. (134 - 136). Photographers Gallery and C/O Berlin: London. |
| James, SE (2009) Photography’s Theoretical Blind Spots: Looking at the German Paradigm. Photographies , 2 (2) 255 - 270. |
| James, SE (2009) Steve Edwards: The Labour of Photography. Art History: journal of the Association of Art Historians , 32 (2) 406 - 410. |
| James, SE (2009) Subject, Object, Mimesis: The Aesthetic World of the Bechers’ Photography. Art History: journal of the Association of Art Historians , 32 (5) 874 - 893. |
L
| Lange-Berndt, P (2009) Animal Art. Präparierte Tiere in der Kunst, 1850-2000. Verlag Silke Schreiber: Munich. |
| Lange-Berndt, P (2009) Prototypen für einen schlechten Geschmack. In: Bauer, SEA, (ed.) Prototypisieren. Eine Messe für Theorie und Kunst. (65 - 70). Thealit Frauen.Kultur.Labor: Bremen. |
| Lange-Berndt, P (2009) Besetzen, abwandern, auflösen... Die Aufkündigung des Ateliers bei Carolee Schneemann und Annette Messager. In: Diers, M and Wagner, M, (eds.) Topos Atelier. Werkstatt und Wissensform. (75 - 92). Akademie Verlag: Berlin. |
| Lange-Berndt, P (2009) The Demise of Trophies. A Short History of Taxidermised Animals in Art. In: Exhibition catalogue MAK Austrian Museum of Applied Arts, CA and Vienna,, (eds.) Furniture as Trophy. (100 - 119). Verlag für Moderne Kunst: Nürnberg. |
| Lange-Berndt, P (2009) Pille - Alchemie des Geistes. In: Lange-Berndt, P and Ruebel, D, (eds.) Sigmar Polke: Wir Kleinbürger! Zeitgenossen und Zeitgenossinnen. Die 70er Jahre. (154 - 161). Walther Koenig Books: Cologne. |
| Lange-Berndt, P (2009) Vom Bienenschwarm zum Mottenlicht. Insekten im Spiel- und Experimentalfilm. In: Moehring, M and Perinelli, M and Stieglitz, O, (eds.) Tiere im Film. Eine Menschheitsgeschichte der Moderne. (207 - 219). Böhlau: Köln, Weimar, Wien. |
| Lange-Berndt, P and Ruebel, D (2009) Multiple Maniacs! Fluchtbewegungen bei Sigmar Polke & Co. In: Lange-Berndt, P and Ruebel, D, (eds.) Sigmar Polke: Wir Kleinbürger! Zeitgenossen und Zeitgenossinnen. Die 70er Jahre. (20 - 70). Walther Koenig Books: Cologne. |
| Loh, MH (2009) Renaissance Faciality. OXFORD ART J , 32 (3) 341 - +. 10.1093/oxartj/kcp032. |
M
| Mills, R (2009) Review of David Clark, Between Medieval Men: Male Friendship and Desire in Early Medieval English Literature (2009). Times Higher Education (1905) 52 - 52. |
| Mills, R (2009) Review of Derek G. Neal, The Masculine Self in Late Medieval England (2008). Times Higher Education (1878) |
| Mills, R (2009) Review of Tison Pugh, Sexuality and its Queer Discontents in Middle English Literature (2008). Studies in the Age of Chaucer , 31 361 - 364. |
| Mills, R (2009) Atti, orientamenti e i sodomiti di San Gimignano. In: Levy, AM, (ed.) Sesso nel Rinascimento: pratica, perversione e punizione nell'Italia rinascientale. (201 - 213). Le Lettere: Florence. |
R
| Richardson, E and Garside, P (2009) The Use of Near Infrared Spectroscopy as a Diagnostic Tool for Historic Silk Artifacts. Journal of e-Preservation , 6 66 - 74. |
S
| Schwartz, F (2009) ’Funktionalismus heute’: Adorno, Bloch und das Erbe des Modernismus in der BRD. In: Baumhoff, A and Droste, M, (eds.) Mythos Bauhaus: Zwischen Selbsterfindung und Enthistorisierung. (315 - 335). Dietrich Reimer Verlag: Berlin. |
| Schwartz, F (2009) Die Angemessenheit der Einfühlung. Probleme eines kunsthistorischen Konzepts. In: Curtis, R and Koch, G, (eds.) Einfühlung: Zu Geschichte und Gegenwart eines ästhetischen Konzepts. (143 - 158). Wilhelm Fink: Paderborn. |
| Schwartz, F (2009) The Disappearing Bauhaus: Architecture and its Public in the Early Federal Republic. In: Saletnik, J and Schuldenfrei, R, (eds.) Bauhaus Construct: Fashioning Identity, Discourse and Modernism. (61 - 82). Routledge: New York. |
| Stracey, F (2009) Bio-art: the ethics behind the aesthetics. Nature Reviews Molecular Cell Biology , 10, no.7 (July) 496 - 500. |
T
| Taws, R (2009) Ivory Towers: Obscuring Obsolescence in the Revolutionary Museum. RES: Anthropology and Aesthetics , 55/56 252 - 266. |
| Taws, R and Porterfield, T and Davis, P and Lafont, A and Pantazzi, M (2009) Les études canadiennes sur l’art en Europe autour de 1800. Perspective , 3-2008 527 - 534. |


