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Jump to: D | F | G | H | J | L | M | R | S | T
Number of items: 45.

D

Demos, TJ; (2009) Moving Images of Globalization. GREY ROOM (37) 6 - 29.

Demos, TJ; (2009) The Politics of Sustainability: Art and Ecology. In: Manacorda, F and Yedgar, A, (eds.) Radical Nature: Art and Architecture for a Changing Planet, 1969–2009. Barbican Art Gallery: London.

F

Fend, M; (2009) Emblems of durability: Tattoos, preserves and photographs. Performance Research , 14 (4) 45 - 52.

Fend, M; (2009) Review of Melanie Ulz: 'Auf dem Schlachtfeld des Empire'. Sehepunkte

Fer, BA; (2009) Isa Genzken. Artforum , 47.10 322 - 324.

Fer, BA; (2009) The Mould: Anna Maria Maiolino's Work in Clay. In: Ashbury, M and Keheyan, G, (eds.) UNSPECIFIED (155 - 163). Pharos Publishers: Nicosia.

Fer, BA; (2009) Crazy About Saturn: Gabriel Orozco Interviewed by Briony Fer (2006). In: Bois, YA, (ed.) Gabriel Orozco (October Files 9). (157 - 180). The MIT Press: Cambridge and London.

Fer, BA; (2009) Spirograph: the Circular Ruins of Drawing (2004) and Crazy about Saturn (2006). In: Bois, YA, (ed.) Gabriel Orozco. MIT Press: Cambridge Mass, and London england.

Fer, BA; (2009) Each Any: Interview with Jean-Luc Moulène, Paris, October 2008. In: Criqui, JP, (ed.) Jean-Luc Moulène. (134 - 148). Carré d’art - Museé d’art contemporain de Nîmes; Buchhandlung Walther König: Nîmes; Cologne.

Fer, BA; (2009) Storm of the Eye. In: Lingwood, J and Can Noord, G, (eds.) Vatnasafn/LIbrary of Water: Stykkishólmur, Iceland. (22 - 31). Steidl: Gottingen.

Fer, BA; (2009) Kafka's Ear. In: O'Dwyer, D, (ed.) Sontag Montag. Five Years: London.

Fer, BA; (2009) Constellations in dust: Notes on the Notebooks. In: Temkin, A, (ed.) Gabriel Orozco. Museum of Modern Art New York: New York.

Fer, BA; Fer, B; (2009) Moth Man: Ruscha's Light and Dark. In: Dean, R, (ed.) Ed Ruscha: Catalogue Raisonne of the Paintings. Vol 4 1988 - 1992. Gagosian Gallery: New York, USA.

G

Gretton, T; (2009) "Elegant and dignified military operations in the present age": the imperfect invisibility of collateral damage in late-nineteenth-century metropolitan illustrated magazines. In: Rockel, SJ and Halpern, R, (eds.) Inventing collateral damage: civilian casualties, war and empire. (205 - 232). Between the Lines: Toronto, Canada.

H

Hemingway, A; (2009) E.H. Gombrich in 1968: Methodological Individualism and the Contradictions of Conservatism. Human Affairs: A Postdisciplinary Journal for Humanities & Social Sciences , 19 (3) 297 - 303. Gold open access

Hemingway, A; (2009) 'American Art pre-1940 and the Problem of Art History's Object'. In: Groseclose, B and Wierich, J, (eds.) Internationalizing the History of American Art: Views. (61 - 79). Pennsylvania State University Press: University Park, Pennsylvania.

J

James, SE; (2009) ‘Taryn Simon: An American Index of the Hidden and Unfamiliar'. In: Deutsche Börse Photography Prize. (134 - 136). Photographers Gallery and C/O Berlin: London.

James, SE; (2009) Photography’s Theoretical Blind Spots: Looking at the German Paradigm. Photographies , 2 (2) 255 - 270.

James, SE; (2009) Steve Edwards: The Labour of Photography. Art History: journal of the Association of Art Historians , 32 (2) 406 - 410.

James, SE; (2009) Subject, Object, Mimesis: The Aesthetic World of the Bechers’ Photography. Art History: journal of the Association of Art Historians , 32 (5) 874 - 893.

L

Lange-Berndt, P; (2009) Animal Art. Präparierte Tiere in der Kunst, 1850-2000. Verlag Silke Schreiber: Munich.

Lange-Berndt, P; (2009) Prototypen für einen schlechten Geschmack. In: Bauer, SEA, (ed.) Prototypisieren. Eine Messe für Theorie und Kunst. (65 - 70). Thealit Frauen.Kultur.Labor: Bremen.

Lange-Berndt, P; (2009) Besetzen, abwandern, auflösen... Die Aufkündigung des Ateliers bei Carolee Schneemann und Annette Messager. In: Diers, M and Wagner, M, (eds.) Topos Atelier. Werkstatt und Wissensform. (75 - 92). Akademie Verlag: Berlin.

Lange-Berndt, P; (2009) The Demise of Trophies. A Short History of Taxidermised Animals in Art. In: Exhibition catalogue MAK Austrian Museum of Applied Arts, CA and Vienna,, (eds.) Furniture as Trophy. (100 - 119). Verlag für Moderne Kunst: Nürnberg.

Lange-Berndt, P; (2009) Pille - Alchemie des Geistes. In: Lange-Berndt, P and Ruebel, D, (eds.) Sigmar Polke: Wir Kleinbürger! Zeitgenossen und Zeitgenossinnen. Die 70er Jahre. (154 - 161). Walther Koenig Books: Cologne.

Lange-Berndt, P; (2009) Vom Bienenschwarm zum Mottenlicht. Insekten im Spiel- und Experimentalfilm. In: Moehring, M and Perinelli, M and Stieglitz, O, (eds.) Tiere im Film. Eine Menschheitsgeschichte der Moderne. (207 - 219). Böhlau: Köln, Weimar, Wien.

Lange-Berndt, P; Ruebel, D; (2009) Multiple Maniacs! Fluchtbewegungen bei Sigmar Polke & Co. In: Lange-Berndt, P and Ruebel, D, (eds.) Sigmar Polke: Wir Kleinbürger! Zeitgenossen und Zeitgenossinnen. Die 70er Jahre. (20 - 70). Walther Koenig Books: Cologne.

Loh, MH; (2009) Renaissance Faciality. OXFORD ART J , 32 (3) 341 - +. 10.1093/oxartj/kcp032.

M

Mills, R; (2009) Review of David Clark, Between Medieval Men: Male Friendship and Desire in Early Medieval English Literature (2009). Times Higher Education (1905) 52 - 52.

Mills, R; (2009) Review of Derek G. Neal, The Masculine Self in Late Medieval England (2008). Times Higher Education (1878)

Mills, R; (2009) Review of Tison Pugh, Sexuality and its Queer Discontents in Middle English Literature (2008). Studies in the Age of Chaucer , 31 361 - 364.

Mills, R; (2009) Atti, orientamenti e i sodomiti di San Gimignano. In: Levy, AM, (ed.) Sesso nel Rinascimento: pratica, perversione e punizione nell'Italia rinascientale. (201 - 213). Le Lettere: Florence.

R

Richardson, E; (2009) Investigating the Characterisation and Stability of Polyamide 6,6 in Heritage Artefacts. [Lecture]. Presented at: Victoria and Albert Museum, London, UK.

Richardson, E; (2009) Investigating the Characterisation and Stability of Polyamide 6,6 in Heritage Artefacts. Doctoral thesis, University of Southampton.

Richardson, E; Garside, P; (2009) The Use of Near Infrared Spectroscopy as a Diagnostic Tool for Historic Silk Artifacts. Journal of e-Preservation , 6 66 - 74.

S

Schwartz, F; (2009) ’Funktionalismus heute’: Adorno, Bloch und das Erbe des Modernismus in der BRD. In: Baumhoff, A and Droste, M, (eds.) Mythos Bauhaus: Zwischen Selbsterfindung und Enthistorisierung. (315 - 335). Dietrich Reimer Verlag: Berlin.

Schwartz, F; (2009) Marcel Breuer: Tubular Steel Furniture. In: Bergdoll, B and Dickerman, L, (eds.) Bauhaus 1919-1933: Workshops for Modernity. The Museum of Modern Art: New York.

Schwartz, F; (2009) Wilhelm Wagenfeld and Carl Jucker: Table Lamps, 1923–24. In: Bergdoll, B and Dickerman, L, (eds.) Bauhaus 1919-1933: Workshops for Modernity. The Museum of Modern Art: New York.

Schwartz, F; (2009) Die Angemessenheit der Einfühlung. Probleme eines kunsthistorischen Konzepts. In: Curtis, R and Koch, G, (eds.) Einfühlung: Zu Geschichte und Gegenwart eines ästhetischen Konzepts. (143 - 158). Wilhelm Fink: Paderborn.

Schwartz, F; (2009) The Disappearing Bauhaus: Architecture and its Public in the Early Federal Republic. In: Saletnik, J and Schuldenfrei, R, (eds.) Bauhaus Construct: Fashioning Identity, Discourse and Modernism. (61 - 82). Routledge: New York.

Stracey, F; (2009) Bio-art: the ethics behind the aesthetics. Nature Reviews Molecular Cell Biology , 10, no.7 (July) 496 - 500.

T

Taws, R; (2009) Ivory towers: Obscuring obsolescence in the revolutionary museum. Res: Anthropology and Aesthetics , 55-56 252 - 266.

Taws, R; Porterfield, T; Davis, P; Lafont, A; Pantazzi, M; (2009) Les études canadiennes sur l’art en Europe autour de 1800. Perspective , 3-2008 527 - 534.

This list was generated on Sun Apr 20 14:35:56 2014 BST.