UCL logo

UCL Discovery

UCL home » Library Services » Electronic resources » UCL Discovery

Browse by UCL Departments and Centres

Up a level
Export as [feed] RSS 2.0 [feed] RSS 1.0 [feed] Atom
Group by: Author | Type
Jump to: C | F | G | J | L | M | S | T | W
Number of items: 22.

C

Chang, L. (2011) Manufacturing landscape: the representation of suburbs, Birmingham 1780-c.1850. Doctoral thesis, UCL (University College London).
An open access version is available from UCL Discovery
 file

F

Fend, M (2011) Les limites de la masculinité: l'androgyne dans l'art et la théorie de l'art en France (1750-1850). Textes à l'appui/ Genre & Sexualité. (French edition of 'Grenzen der Männlichkeit' ed.). La Découverte: Paris.

Fend, M (2011) Toile nerveuse: Rendre la peau dans les 'Portraits de fantaisie' de Fragonard. In: Lanoe, C and Da Vinha, M and Laurioux, B, (eds.) Cultures de cour, cultures du corps. (169 - 184). PUPS: Paris.

G

Garb, T (2011) Figures and Fictions. Steidl / Edition7L

J

James, SE (2011) Subject, Object, Mimesis: The Aesthetic World of the Bechers. In: Costello, D and Iversen, M, (eds.) Photography After Conceptual Art. (50 - 69). Wiley-Blackwell

L

Lange-Berndt, P (2011) Paradiesische Alternativen. Das "lebende Tierinventar" der Rosa Bonheur. In: Vom Objekt zum Bild. Piktorale Prozesse in Kunst und Wissenschaft, 1600-2000. (215 - 243). Akademie Verlag: Berlin.

LANGE-BERNDT, P (2011) Test Site Bohemia. On Mildred's Lane by J. Morgan Puett and Mark Dion, Pennsylvania". Texte zur Kunst , 21 (81) 173 - 175.

Loh, M (2011) 'The Death of the Medium and Technologies of the New in Early Modern Italy'. In: Pfisterer, U and Wimböck, G, (eds.) Novità—das ‘Neue’ in der Kunst um 1600. Theorien, Mythen, Pratiken. Diaphanes: Munich.

Loh, MH (2011) Outscreaming the Laocoön: Sensation, Special Affect, and the Moving Image. Oxford Art Journal , 34 (3) 10.1093/oxartj/kcr039.

Loh, MH (Ed). (2011) Oxford Art Journal - Special Issue: Early Modern Horror. [Whole issue]. Oxford Art Journal , Volume 34 (Issue 3).

LOH M, (2011) Introduction: Early Modern Horror. Oxford Art Journal , 34 (3) 10.1093/oxartj/kcr040.

M

Mills, R (2011) Review of Cary Howie, Claustrophilia: The Erotics of Enclosure in Medieval Literature (2007). Modern Philology , 108 (3) E155 - E157.

Mills, R (2011) The Early South English Legendary and Difference: Race, Place, Language and Belief. In: Bell, K and Couch, JN, (eds.) The Texts and Contexts of Oxford, Bodleian Library, MS Laud Misc. 108: The Shaping of English Vernacular Narrative. (197 - 221). Brill: Leiden.

Mills, R (2011) Homosexuality: Specters of Sodom. In: Evans, R, (ed.) A Cultural History of Sexuality in the Middle Ages. (57 - 79). Berg: Oxford.

S

San Juan, RM (2011) Print and the productivity of death. Oxford Art Journal , 34 (No 2) 292 - 294.

San Juan, RM (2011) Vertiginous mirrors: the animation of the visual image and early modern travel. Rethinking Art's Histories. Manchester University Press: Manchester.

San Juan, RM (2011) The horror of touch: Anna Morandi's wax model of hands. Oxford Art Journal (Early Modern Horror) ? - ?.

San Juan, RM (2011) Making the New World and Bernini's Fountain of the Four Rivers in the Piazza Navona. In: Prebys, P and Hairston, J, (eds.) Early Modern Rome 1450-1650. (? - ?). Association of American Universities in Rome/University of California in Rome: Rome.

T

Taws, R (2011) Review of Slavoj Žižek, 'Robespierre: Virtue and Terror', London and New York, Verso, 2007. Journal for Eighteenth-Century Studies , 34 (3) 419 - 420.

Taws, R (2011) The Currency of Caricature in Revolutionary France. In: Porterfield, T, (ed.) The efflorescence of caricature, 1759-1838. (95 - 115). Ashgate: Burlington, VT.

Teo, W.W.-H. (2011) One world, one dream: contemporary Chinese art and spectacle. Doctoral thesis, UCL (University College London).

W

WRIGHT, A (2011) 'con uno inbasamento et ornamento alto': The rhetoric of the pedestal c. 1430-1550. Art History , 34 (1) 9 - 53.

This list was generated on Tue Jun 18 07:37:35 2013 BST.