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Jump to: D | E | F | J | K | L | M | S | T | W
Number of items: 44.

D

Demos, TJ (2012) Return to the Postcolony: Spectres of Colonialism in Contemporary Art. Sternberg Press: Berlin, Germany.

E

Eaton, NJ (2012) 'Indische Farbe. Politik, Material und Metaphysik der farbpalette in Britischen Empire zwishen 1765 und 1858'. In: Kulturelle Ubersetzungen. Reimar Verlag: Berlin.

Eaton, NJ (2012) 'The Nomadism of Colour'. Journal of Material Culture , 17 (1)

Eaton, NJ (2012) Art. In: The Ashgate Rsearch Companion to Modern Imperial Histories. Ashgate: Aldershot.

Eaton, NJ (2012) 'Tourism, occupancy and visuality in north India, c.1750-1858.'. In: Peterson, J and Leibsohn, D, (eds.) UNSPECIFIED (213 - 236). Ashgate

F

Fend, M (2012) Fleshing out Surfaces. Skin in French Art and Medicine, 1650-1850. Manchester University Press: Manchester. (In press).

Fend, M (2012) Skin portraiture 'painted from nature': Ferdiand Hebra's 'Atlas of Skin Diseases'(1856-1876). In: Sappol, M, (ed.) Hidden Treasure. (122 - 126). Blast Books: New York.

J

James, SE (2012) 'Adorno and Garbage’. In: Encyclopaedia of Consumption and Waste: The Social Science of Garbage. Sage

James, SE (2012) A Post-fascist Family of Man? Humanism, Democracy & Photography in Postwar Germany. forthcoming in Oxford Art Journal , Vol. 35 (Issue 5)

James, SE (2012) A Socialist Realist Sander? Comparative Portraiture as a Marxist Model in the German Democratic Republic. Grey Room , 47 38 - 59.

K

Kinsey, CEC (2012) Skins\screens\circuits: how technology remade the body. Doctoral thesis, UCL (University College London).
An open access version is available from UCL Discovery
 file

L

Lange-Berndt, P (2012) Cave Show: Mark Dion's Sleeping Bear. In: Roenning, S, and Ulekleiv, L,, (eds.) Mark Dion: Den. (34 - 48). Forlaget Press: Oslo.

Lange-Berndt, P and Ruebel, D, (2012) It's a Good Deal. Machines Turning Adrift in the Work of Andreas Fischer. In: Exh.-cat. Andreas Fischer. In der Wolle. (59 - 67). Museum Ludwig, Cologne

Llorente, M (2012) The Image of the Catholic Queen. Mariana of Austria: Consort, Regent and Queen Mother. Doctoral thesis, UCL (University College london).

Loh, MH (2012) Afterward/Afterword/Afterwork. In: Sherrie Levine: MAYHEM. (183 - 188). Yale University Press: New Haven.

Loh, MH (2012) Veronese's Story of the Eye. In: Paolo Veronese in American Collections. Ringling Museum Publications: Sarasota.

Loh, MH (2012) Custodia degli occhi: Discipline and Desire in Post-Tridentine Italian Art. In: Hall, M and Cooper, T, (eds.) The Sensuous and the Church. Cambridge University Press: Cambridge.

Loh, MH (2012) "I Am Not Who You Think I Am": Attributing the Humanist Portrait, Identifying the Art-Historical Subject. In: Hatt, M and Ledbury, M, (eds.) Fictions of Art History. Yale University Press: New Haven.

M

Magagnoli, P (2012) Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary Art. Academic Quarter (no. 5, Special Issue on the Aesthetics of Human Rights,)

Magagnoli, P (2012) Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity? Philosophy of Photography , vol. 3 (no. 1)

Magagnoli, P (2012) Reclaiming the Past: Historical Representation in Contemporary Photography and Video art. Doctoral thesis, UCL (University College London).

Marie San Juan, R (2012) The Transformation of the Rio de la Plata and Bernini's Fountain of the Four Rivers in Rome. REPRESENTATIONS (118) 72 - 102. 10.1525/rep.2012.118.1.72.

Mills, R (2012) Review of Louis-Georges Tin, The Invention of Heterosexual Culture (2012). Times Higher Education (2074) 56 - 56.

Mills, R (2012) Review of Niklaus Largier, In Praise of the Whip: A Cultural History of Arousal (2007). Journal of the History of Sexuality , 21 (1)

Mills, R (2012) Seeing Sodomy in the Bibles moralisées. Speculum: A Journal of Medieval Studies , 87 (no. 2) 423 - 468.

Mills, R (2012) Translation, Conversion and Becket's 'Heathen' Mother. In: Blurton, H and Wogan-Browne, J, (eds.) Rethinking the South English Legendaries. (381 - 402). Manchester University Press: Manchester.

Mills, R (2012) Invisible Translation, Language Difference and the Scandal of Becket's Mother. In: Campbell, E and Mills, R, (eds.) Rethinking Medieval Translation: Ethics, Politics, Theory. (125 - 146). D. S. Brewer: Cambridge.

Mills, R and Campbell, E (2012) Introduction: Rethinking Medieval Translation. In: Campbell, E and Mills, R, (eds.) Rethinking Medieval Translation: Ethics, Politics, Theory. (1 - 20). D. S. Brewer: Cambridge.

Morgan-Evans, TJ (2012) Towards an aesthetic of simultaneity: conceptual art and beyond. Doctoral thesis, UCL (University College London).

S

San Juan, RM (2012) Contaminating bodies: print and the plague in 1656 Naples. In: Hills, H and Calaresu, M, (eds.) Exoticizing Vesuvius? Formations of Naples, c.1500-present. (? - ?). Ashgate: Aldershot.

San Juan, RM (2012) The Turn of the Skull: Andreas Vesalius and the Early Modern Memento Mori. Art History , 35 (5) 958 - 975. 10.1111/j.1467-8365.2012.00932.x.

San Juan, RM and Pratt, G, (2012) Cinema and Urban Space: Critical Possibilities. Edinburgh University Press: Edinburgh. (In press).

Schwartz, FJ (2012) Architecture and Crime: Adolf Loos and the Culture of the "Case". Art Bulletin, vol. 94, no. 3 , 94 (3) 437 - 457.

Schwartz, FJ (2012) Peter Weiss: Art and the Historiography of Resistance. Konsthistorisk Tidskrift , 81 (2) 65 - 93.

Schwartz, FJ and Lukács, G and Hemi, (2012) Translation of "Art for art's sake and proletarian writing". In: Bewes, T, (ed.) Georg Lukács: the fundamental dissonance of existence: aesthetics, politics, literature. (157 - 163). Continuum: London.

Schwartz, S (2012) Tania Bruguera: Between Histories. Oxford Art Journal , 35 (2) 215 - 232. 10.1093/oxartj/kcs020|hwp:master-id:oxartj;kcs020.

Stakemeier, K. (2012) Entkunstung: artistic models for the end of art. Doctoral thesis, UCL (University College London).
An open access version is available from UCL Discovery
 file

Sunderason, S (2012) THE NATION AND THE EVERYDAY: THE AESTHETICS AND POLITICS OF MODERN ART IN INDIA BENGAL, C. 1920 – C. 1960. Doctoral thesis, UCL (University College London).

T

Taws, R (2012) The Precariousness of Things. In: Jones, C and Carey, J and Richardson, E, (eds.) The Saint-Aubin Livre de caricatures: drawing satire in eighteenth-century Paris. (327 - 347). Voltaire Foundation: Oxford.

Tomic, M (2012) The past as mise-en-scène: re-enactment in contemporary art. Doctoral thesis, UCL (University College London).

W

Walker, S.L. (2012) Order and pleasure in the lithographic work of Nicolas-Toussaint Charlet (1792-1845). Doctoral thesis, UCL (University College London).

Wright, AJ (2012) 'Touch the Truth'? Desiderio da Settignano, Renaissance relief and the body of Christ. Sculpture Journal , 21 (1) , Article -. 10.3828/sj.2012.2.

This list was generated on Tue Jun 18 07:37:23 2013 BST.