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Group by: Author | Type
Number of items: 27.
D
| Demos, TJ (2013) The Migrant Image: The Art and Politics of Documentary During Global Crisis. Duke University Press: USA. |
E
| Eaton, NJ (2013) 'Excess in the city'. In: Empires of Vision. Duke University Press: Durham NC. |
| Eaton, NJ (2013) 'Subaltern Colour? Art, design and dyeing in Britain and South Asia, 1851-1896'. Art History: journal of the Association of Art Historians |
| Eaton, NJ (2013) Color. The Art Bulletin |
| Eaton, NJ (2013) Colour, Art and Empire: Visual culture and the nomadism of representation. Book I.B.Tauris |
| Eaton, NJ (2013) Mimesis in Flux: Artworks, Networks, Empires in India, 1765-1860. Book Duke |
| Eaton, NJ (2013) Review of Empire to Nationy by Geoff Quilley. Journal for 18th-century Studies |
F
| Fend, M (2013) Portraying skin disease: Robert Carswell's dermatological watercolours. In: Reinarz, J and Siena, K, (eds.) A Medical History of Skin: Scratching the Surface. (147 - 164). Pickering and Chatto: London. |
| Fer, BA (2013) The Eye of GO:. Fruitmarket Gallery: Edinburgh. (In press). |
J
| James, SE (2013) ‘Modernism’. In: Companion to Photography. Blackwell-Wiley |
| James, SE (2013) Common Ground: German Photographic Cultures Across the Iron Curtain. Yale University Press: London and New Haven. (In press). |
L
| Lange-Berndt, P (2013) Portfolio: Hanne Darboven: Correspondence, 1967-1975. Walther König |
| Lange-Berndt, P (2013) Sigmar Stardust and the Flying Fish of the Andromeda Cloud, exh.-cat. Museum für Gegenwartskunst Siegen. In: Sigmar Polke: The Multiplication of Humor. Snoeck: Cologne. |
| Lange-Berndt, P (2013) Thomas Bechinger, Olaf Metzel, Lawrence Weiner, Gilbert & George, Bruce Nauman, Andreas Fischer, Wilhelm Mundt, Stephen Willats, Tessa Farmer. In: Lange-Berndt, P and Rübel, D and Böhm, D, (eds.) A World of Wild Doubt. Sternberg Press: Berlin. |
| Lange-Berndt, P and Geimer, P (2013) Von der Gestaltung untoter Körper. Techniken zur Animation des Leblosen in Präparationsanleitungen um 1900. In: UnTot. Existenzen zwischen Leben und Leblosigkeit. Kulturverlag Kadmos Berlin |
| Lange-Berndt, P and Rübel, D (2013) When in Doubt, for Doubt. In: Lange-Berndt, P and Rübel, D and Böhm, D, (eds.) A World of Wild Doubt. Sternberg Press: Berlin. |
| Loh, MH (2013) Plotting the Triumphal Arch in Titian's Tomb. In: The Object as Event. Leo S. Olschki: Florence. |
| Loh, MH (2013) Harmony and the Sweet Regard of History in the Seventeenth-Century Venetian Collection. In: Marx, B, (ed.) Venezia mercato dell'arte. Marsilio: Florence. |
M
| Magagnoli, P (2013) “‘Let meaning disintegrate’: Digital Compression as Revelation in the Art of Sean Snyder.”. In: In Alexandra Moschovi ed., The Versatile Image: Photography in the Era of Web 2.0 (Leuven: Leuven University Press, 2013). : Newcastle upon Tyne. |
| Mills, R (2013) Sovereignty. In: Turner, M, (ed.) A Handbook to Middle English Studies. (269 - 283). Wiley-Blackwell: Oxford. (In press). |
| Mills, R (2013) Havelok's Bare Life and the Significance of Skin. In: Walter, KL, (ed.) Reading Skin in Medieval Literature and Culture. Palgrave Macmillan: New York. (In press). |
S
| Schwartz, S (2013) The First Principles of Doucmentary: Paul Strand and The Wave. October |
T
| Taws, R (2013) Review of Philippe de Carbonnières, 'Les gravures historiques de Janinet: Collections du Musée Carnavalet', Paris, Musées de Paris, 2011. Print Quarterly , 30 (2) 66 - 68. |
| Taws, R (2013) Review of Suzanne Glover Lindsay, 'Funerary Art and Tomb Cult: Living with the Dead in France, 1750-1870', Farnham, Ashgate, 2012. French History |
| Taws, R (2013) The Politics of the Provisional: Art and Ephemera in Revolutionary France. Pennsylvania State University Press: University Park, PA. |
W
| Wright, AJ (2013) Tabernacle and sacrament in fifteenth-century Tuscany. In: Motture, P and Jones, E and Zikos, D, (eds.) Carvings, Casts and Collectors: The Art of Renaissance Sculpture. V & A Publishing |